- 期刊
楊萬里《誠齋詩話》與江西派詩論關係新銓－從其詩學淵源及創作歷程論《詩話》之內容
A Study on the Relationship between ＂Cheng-Zhai-Shih-Hua＂ by Yang Wanli and the Jiangxi School of Poetry-On ＂Cheng-Zhai-Shih-Hua＂ based on Yang's Poetry and Experience
摘要
楊萬里是南宋著名詩人，與陸游、范成大、尤袤並稱南宋中興四大詩人。一生作詩兩萬多首，今存四千餘首，其詩風經歷三次轉變過程，才形成「誠齋體」的特色，乃以「風味」擅場於詩史。《誠齋詩話》中多江西詩派詩論，而楊萬里詩學的精神在「活法」，「活法」是江西派詩人所普遍尊崇，并形成江西派的創作法則之一。楊氏深得此法精髓，而能打破江西詩派的藩籬自成一家，主要原因是他在藝術上勇於創新，從而發展成一種個性鮮明的藝術風格。其實詩話之功用在示人學詩之入門，初學詩者必須從字摹句擬開始，江西詩派詩歌理論正提示初學者許多方便法門，它既是入門的嚮導，也是達到「活法」的境界。
並列摘要
Yang Wanli (楊萬里) (1127-1206) is a famous Chinese poet, and one of the four masters of poetry in the Southern Song dynasty, along with Lu You, Fan Chengda and You Mao. He composed over twenty thousand poems, and more than four thousand of these have come down to us. His poetry is characterized by a ＂natural flavor＂ in the Chengzhai style, which developed after his work underwent three distinct changes in style. ＂Cheng-Zhai-Shih-Hua＂ contains many theories from the Jiangxi school of poetry, in which the ＂Flexible Law＂ best represents the spirit of Yang Wangli's work, and was adopted by the school as a guiding principle. Making breakthroughs based on the ＂Flexible Law＂, Yang was able to develop his unique artistic style. Overall, ＂Cheng-Zhai-Shih-Hua＂ serves as a valuable guidebook for people learning how to write poetry, who are required to start from the basics of word-sentence imitation and composition. However, it not only works as an entry-level work, but can also help poets to reach the heights of the ＂Flexible Law＂.