- 期刊
意识形态国家机器争夺战：冷战结束后延烧的马来西亚纪录片
The Fight between the Ideological States Apparatuses: The Production of Malaysian Documentaries after the Cold War
摘要
国共内战与苏美冷战时期深深影响了东南亚的政经文化，甚至事隔多年后，依然延烧至新马的文学与电影。特别是21世纪初新马出现的类似题材的纪录片，恰好都遭新马两国禁止放映，形成两国不同的风景与特色。本文尝试探索，国共内战与冷战时期之后数十年，才产生的马来西亚记录影片，如何受影响，为何依然被禁？这些纪录片，无论是真实记录或采用戏谑手法等，如何让叙述者——“马共”与左倾份子，在国共内战与冷战时期，被迫放逐，远离家国。这些背后到底隐藏着什么值得探索之“事”？放在意识形态国家机器，冷战结束后的“框架”里，可以让我们观察这些纪录片导演用什么电影叙述语言、内容主题，思考着这课题？拍摄纪录片背后的意图是什么？最重要的，在马来西亚，到底产生了什么相关的纪录片，值得我们探索与思考。
並列摘要
The Chinese Civil War and the Cold War deeply influenced the political and economic culture of Southeast Asia, and even after so many years, it still influenced to the literature and films of Malaysia and Singapore. Especially in the early of 21st century, when the documentaries had produced and banned in the Malaysia and Singapore, its' show the formation of scenery and characteristics in different two countries. This article attempts to explore after the decades of the Chinese civil war and Cold War, how were the documentaries of Malaysia being affected and still banned in Malaysia? Whether the documentaries are real records or use satirical narrative techniques, how the narratees-the ＂Malayan Communists＂ and leftists who emerged during the Chinese Civil War and the Cold War, were exiled and forced to leave their homeland, they were unable to return before or after death...What is the hidden agenda behind the scenes? Are that worth to explore, especially in the context of the ideological state apparatuses and in the ＂framework＂ of after Cold War? We can observe these documentaries' directors with their film narrative languages, themes of content, what they are thinking about the subject? What is the intention behind shooting the documentary? Most importantly, what kind of related documentaries had been produced, that is worthy for our exploration and thinking.