透過您的圖書館登入
IP:3.139.86.62
  • 期刊

巴爾托克《野蠻的快板》探究

The Study of Bartok Allegro Barbaro

摘要


巴爾托克為二十世紀最具影響力的音樂家之一,其創作的鋼琴作品,融合匈牙利民間音樂特色,並將鋼琴的敲擊性發揮至極,《野蠻的快板》更是其個人風格的代表作。本研究擬就鋼琴演奏及教學角度,探討《野蠻的快板》之創作風格及演奏詮釋。首先,對巴爾托克的生平作四方面的概述﹕含民族音樂學、鋼琴演奏、鋼琴教學及創作─鋼琴獨奏曲等。再探討《野蠻的快板》創作之原因及特色;接著,就《野蠻的快板》之彈奏技巧及詮釋作分析。本文期盼能使鋼琴演奏及教學者,更進一步了解巴爾托克《野蠻的快板》,以提供其演奏及教學上的參考,並盼藉此燃起愛好者對巴爾托克鋼琴音樂的興趣。

並列摘要


Bela Bartok is one of the most influential composers of 20^(th) century whose piano pieces is infused with Hungarian folk music idiom and is characteristic for its percussive use of piano. Allegro Barbaro represents Bartok's truly individual style. The purpose of this study is to offer a better understanding of Allegro Barbaro through detail discussing of style characteristics and musical interpretation from the standpoint of performer and pedagogue. The author starts this paper by introducing Bartok's achievements in musicology, piano performance, pedagogy and compositions in solo piano music. Next, investigate the musical style characteristics of Allegro Barbaro. Finally, analyze the application of piano technique and musical interpretation. It is hoped that this paper may serve as a reference for performers and pedagogues and bring up their interest to Bartok's music.

並列關鍵字

Bartok Allegro Barbaro piano pedagogy interpretation

參考文獻


Austin, W.(1966).Music in the 20th Century.New York:W. W. Norton & Co..
Bartók, B.(1924).Bartok Plays Banolc (GEMM CD 9166).England:Pavilion Records.
Bartók, B.(1945).Allegro Barbaro.New York:Boosey & Hawkes.
Bartók, B.(1945).Romanian Folk Dances.New York:Boosey & Hawkes.
Bartók, B.(1945).Suite, Op.New York:Boosey & Hawkes.

延伸閱讀