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Ecophenomenology in Croatian and Modern Greek Poetry: Janko Polić Kamov and Angelos Sikelianos. A comparative study case
摘要
The aim of this study case is to examine the discipline of Ecophenomenology in Janko Polić Kamov's Istipana hartija (Pinched Paper) and Angelos Sikelianos' Lyrikos Vios (Lyrical Life). Maurice Merleau-Ponty's concepts of ＂flesh of the world＂ and ＂chiasm＂ are the main keys used to interpret the terms of Nature and body in both Kamov and Sikelianos' poems. Variable chiasms are analyzed through different ontological frameworks such as the death zone and landscape sceneries including flora and fauna, based on the individual senses and cognitive state. The universal flesh offers a new reading of the death and life zones, perceived as somaesthetical bodies. In this sense, the death and life zones are considered to be eutopias where death advances a symbiotic internship with life and enlightens more its impact on subjective psychology. To sum up, the conception of the universal flesh which is an upper hierarchically, constant and dynamic becoming is central in order to enter the aforementioned poets' biocosmic perception.