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「父之名」和「上帝之名」的雙重變奏－評黃作《拉康的父親理論探幽：圍繞「父親的姓名」概念》
The Double Variation Between the "Name-of-the-Father" and the "Name-of-God": A Review of HUANG Zuo' s Probing the Paternal Theory of Lacan: On the Concept of the "Name-of-the-Father"
Abstracts
黃作教授的新著《拉康的父親理論探幽》以「父之名」為關鍵詞，從哲學與精神分析學切入拉康的思想體系，立足宗教、社會、文化等多方視角，提出了「父之名」與「上帝之名」一組概念。拉康受基督教文化影響頗深，「父之名」與「上帝之名」的產生同時也得益於他對前人語言學、心理學、哲學理論的吸收與化用。本文將重點聚焦於這組概念在形成機制、表徵功能、現實影響等方面的結構性相似，即它們都是同一主題（父性、大他者能指）的兩個不同卻相似的旋律，在梳理父性問題歷史發展譜系的基礎上，在現代性語境下探討精神分析學與猶太－基督教文化的對話，從而完成一次對基督教神學的創新性闡發。
Parallel abstracts
Professor HUANG Zuo's new book, Probing the Paternal Theory of Lacan, takes the "Name-of-the-Father" as its key concept and approaches Lacan's theoretical system through the lens of philosophy and psychoanalysis. Drawing on religious, social, cultural, and other perspectives, the work proposes a set of conceptual pairings centered around the "Name-of-the-Father" and the "Name-of-God." Lacan's thought is deeply influenced by Christian culture, and the emergence of the concepts of "the-name-of-the-father" and "the-name-of-God" can also be attributed to his integration of linguistic, psychological, and philosophical theories from earlier thinkers. This article focuses on the structural similarities of this group of concepts in terms of their formation mechanisms, representational functions, and practical implications. In essence, they are two distinct, yet analogous melodies, on the same theme - a theme referring to paternity and the Other. By tracing the historical genealogy of paternity, this study explores the dialogue between theological analysis and Jewish-Christian culture in the modern context, thereby offering an innovative reinterpretation of Christian theology.