從空間概念論陶淵明在〈五柳先生傳〉的抒情自我

陶淵明〈五柳先生傳〉中高度的自傳意識使其成為中國文學史上「抒情自我」的典型。歷來六朝文學在神思觀念的籠罩之下側重心、神層面的抒情視域，故本文旨在時間詮釋脈絡之外，以身體經驗為取向的空間詮釋脈絡作為「抒情自我」建構的又一重要觀察面向。首先回歸到魏晉品人風尚的身體場域之中，又向現代以人文主義為取向的空間概念敞開，進而探討〈五柳傳〉中自我與空間相互定義之下所可能發生的抒情意義。本文分別從「時間感與空間經驗」、「身體表演的言說形構」為進路，探視陶淵明如何透過「自我虛化」、「空間尋遊」，以及諸等「復得返自然」的身體空間，從而走進一系列多重架構的文本空間中呈顯自我。

Keywords

陶淵明；五柳先生傳；空間概念；抒情自我；身體空間

Parallel abstracts

Tao Yuan-Ming's high level of autobiographical awareness in his work, ＂The Biography of Scholar Wu-Liu＂ led to it becoming a classic example of the ＂lyrical self＂ in the history of traditional Chinese literature. Historically, the literature of The Six Dynasties emphasized a lyrical view that leaned heavily on the mind and spirit under the influence of The Concept of Spiritual Thoughts. In view of this, this discourse aims to use the concept of bodily space, besides that of the concept of time, as another key means to reconstruct the ＂lyrical self＂. For a start, this discourse returns to the bodily performance background which appreciation and classification of historical personalities of Wei-Jin Period, followed by the perspective of the humanistic concept of space. Based on this, a study of ＂The Biography of Scholar Wu-Liu＂ is done to examine the lyrical significance potentially stemming from the mutual interaction between Self and space. Using the theoretical approaches of ＂time and spatial experience＂ and ＂bodily performance＂, this discourse sets off to study how Tao Yuan-Ming made use of ＂self-decentralization＂, ＂spacefaring＂ and other various bodily space that reflect ＂Spiritual Nature＂, allowing him to put up a ＂self-embodiment＂ display in a complex textual spatial structure.