佔位方法與資本共謀－中國《萌芽》雜誌內部的「王小波敘事」

「王小波現象」產生於上世紀末至本世紀初，是一場發生在中國文學權力場域急遽變化背景條件下的，在媒體引導下的，社會各階層對作家的集體誤讀。在這場誤讀中，作為青少年文學刊物的《萌芽》雜誌內部呈現出的，是一場以涉及、模仿、引用、討論等方式致敬作家的一場「王小波敘事」狂歡。由於王小波與《萌芽》雜誌作者群體在文化生產場域中的位置具有諸多相似性，這些作者相信，自己可以藉助幫助王小波「聖化」來提升自身在文學場域中的位置。所以，「王小波敘事」就變成了一種文學場域中的佔位活動。為了自身佔位，《萌芽》作者默許了對王小波的誤讀，並且以誤讀的方式學習和繼承了若干「王小波式」的寫作特徵。

關鍵字

王小波；《萌芽》雜誌；文化生產場域；象徵資本；佔位；誤讀

並列摘要

The ＂Wang Xiaobo Phenomenon＂ originated from the end of the last century to the beginning of the twenty-first century, in a time when the field of contemporary Chinese literature was dramatically changing. It appeared as a series of mis-readings of Wang Xiaobo's works from different social classes, under the influence of mass media. ＂Mengya＂, one of China's most popular youth literature magazines, presented a ＂textual carnival＂ of ＂Wang Xiaobo Narratives＂. The contributors and editors of the magazine published many literary productions that were clearly influenced by Wang, as a form of paying tribute to him. They touched on Wang's works, imitating, citing and discussing about them. Given that there were many similarities between Wang and themselves on the positions they had in the field of culture production, the contributors believed that they could raise their status by ＂deifying＂ Wang, therefore, they placed great significance on ＂Wang Xiaobo narratives＂ in their magazine. The authors of ＂Mengya＂ gave silent consent to publishing mis-readings of Wang Xiaobo, to retain their status in the literary field. The authors also learned and inherited the reflected ＂Wang style＂ in the magazine.