透過您的圖書館登入
IP:3.135.194.164
  • 期刊

Reflection on female media stereotypes: Female Narrative Analysis of 'Sisters Who Make Waves'

摘要


With the development of ' she ' economy, the status of female audiences in cultural products such as variety shows has become increasingly prominent. Various platforms have launched various variety shows about feminism, aiming to break the stereotype of the public's media image of women to a certain extent through the perspective of variety shows. Since 2020, a women's group growth variety show "Sisters Who Make Waves" launched by Mango TV has quickly become popular on the Internet. By presenting the dream pursuit process, realistic dilemma and balanced choice of 30 different women in the contemporary era, the program hopes to enable the audience to reflect on their choices and dreams in the process, find the best way to realize their dreams, and find the best choice to realize their own value. However, in the process of broadcasting the program, ' Sisters Who Make Waves ' also reflects its limitations as a variety show. This article will analyze and summarize the construction mechanism of female media in ' Sisters Who Make Waves '.

參考文獻


Zeng Yiguo & Xiao Ying.(2021). From "Age Anxiety" to "Elder Sister Culture" -- The plight of Middle-aged Women and the way to solve it in "The Elder Sister Who Breaks the Wind and Waves". China Book Review (11),17-26.
Liao Yangyi.(2020). Female Variety Shows and feminism -- A case study of Sister Riding the Waves. Journalism Research Guide (16),96-97.
Zeng Yiguo & Wang Kexin.(2021). Self-recognition: Reconstruction of Middle-aged Female Image in Sister Riding the Wind and Waves. Journal of Social Sciences, Hunan Normal University (04),138-144.
Zhang Liyang.(2021). The Application of Agenda Setting Theory in Variety Shows -- A Case study of Sister Riding the Wind and Waves. Audiovisual (01),35-36.
Huang Qiaowei.(2020). The dilemma and breakthrough of female image construction in "She" Variety Show -- A case study of Sister Who Rides the Wind and Waves. New Media Research (19),94-96.

延伸閱讀