In today's globalization trend, cultural exchange and integration has become a hot topic. This study mainly applies Homi Bhabha's theory of "third space" to analyze the image of Hua Mulan in Maxine Hong Kingston's The Warrior Woman and explore the phenomenon of cultural hybridization in the third space under the dispersed literature. This cultural hybridization is reflected in the multiplicity of Hua Mulan's image, which is not only a classic hero image in traditional Chinese culture, but also influenced by Western feminist thought to a certain extent. We can get a greater understanding of the significance of diasporic literature in cross‐cultural dialogue, as well as the new obstacles that cultural hybridization poses to literary creativity.