數位科技發展至今,行動裝置的普及伴隨著通訊技術的提升,改變了我們日常的生活。漫畫閱讀者的習慣也因為閱讀載體的改變而產生變化,閱讀漫畫已逐漸由紙本轉為在行動載體閱讀漫畫。而一種創始於韓國的網路漫畫新概念,採用行動裝置之滑動特性產生出其窄而無長度限制的閱覽方式,為了方便讀者在移動時瀏覽漫畫而設計,適應碎片化閱讀,方便在網路社交平台上瀏覽和傳播。此不需翻頁,只需上下滑動就能閱讀漫畫的模式,在台灣普遍被稱為「條狀漫畫」或「條漫」。此閱讀漫畫模式經由韓國大型企業和政府的推波助瀾下,進入台灣並積極推廣在地條狀漫畫的發展,台灣漫畫創作者因此也加入此一新的漫畫模式創作。由於條狀漫畫與傳統逐頁漫畫之閱讀操作及本身載體特性有所不同,逐頁和條狀漫畫在漫畫構成之應用上有了許多建立於不一樣基準上的運用差異,面對這些差異,不論是漫畫讀者的閱讀體驗或是創作者的創作思維和方法都有其變化,因此,本研究將就台灣近期漫畫環境的轉化及逐頁和條狀漫畫載體間的差異現象做一初探。
With the development of digital technology, the popularization of mobile devices and the improvement of communication technology have changed our daily lives. Reading comics has gradually changed from paper to reading comics on mobile. A new concept of webcomics originated in South Korea, uses the scrolling characteristic of mobile devices to generate its narrow and unlimited length of reading. It is designed to facilitate readers to browse comics while moving. It is suitable for fragmented reading and easy to browse and spread on online social platforms. The way of reading comics, it is no need to turn pages, just by swiping up and down on screen. This type of comics in Taiwan commonly referred to as "scrolling comics". The scrolling comics, with the help of large Korean companies and the government, entered Taiwan and have been actively promoted. Therefore, Taiwan cartoonists have also joined this new type of webcomics. Due to the differences in the way of reading between scrolling comics and traditional page-by-page comics, both have many application differences. Faced with these differences, the reading experience of readers and the creative thinking of creators have changed. Therefore, this research will make a preliminary study on the transformation of the comic environment in Taiwan in recent years and the application differences between page-by-page and scrolling comic.