- 會議論文
流動的記憶－車票做為插畫元素的符號意義
Reproduction of Mobile Memory: The Symbolic Meaning of the Ticket as an Illustrative Element
摘要
隨著時間遞延記錄鐵道文化歷史，火車票除了功能性的票據證明，也承載著每一次旅程的情感回憶，而車票作為一種圖像符號時，除表面顯示的資訊，更是生活經驗的累積，傳達出綜合的符號訊息。研究分兩階段：第一階段從符號學理論觀點，對車票進行分析及歸納，探討符號的內外涵義；再透過問卷調查，了解大眾對於車票符號的認知與感受，歸納出車票符號的內在與外在涵義，第二階段將前階段獲得的解讀，藉由插畫創作的方式，以往返通勤的火車票作為創作素材，完成14張插畫作品。藉由車票符號與畫面內容元素之重新組合，將符號轉化為具體的視覺意象，在「形」與「義」之間探究符號轉化的過程，利用符號的外在表徵與隱含的內在意涵傳達，從視覺圖像符號的共識與解釋，喚醒民眾搭乘火車的經驗與情感。
並列摘要
In addition to the essential functionality of proof of ticket purchase, the train ticket has also become an attribute of historical development of railway culture that carries the emotional memory of every ride. This study is divided into two stages: semiotic theory is applied to analyze and summarize tickets to grasp the connotation and denotative meaning of the symbolism during the first stage; then a questionnaire is used to investigate the public's perception and reception towards the symbolism of the ticket, which in turn provide the analysis and conclusion of the connotation and denotative meaning of the symbolism of the ticket. Whilst it mainly serves as the proof of ticket purchase on the basic level the hidden meaning of it contains the memory of commuting records, working away from home and travel experiences for passengers. Since the symbolism of the train ticket is mutually constructed with the life experiences of members of society, it ought to be understood and interpreted on the basis of culture. In the second stage, the process of practical creation and research takes over one year, during which the weekly round-trip train ticket is taken as the idea of creative concept development for a total of 14 illustrations. While recording the process of illustration creation, the recombination of ticket symbols, graphics and component elements is utilized to allow the symbols to transform into specific visual images through the works so that both the external representation of the symbols and implications hidden behind the symbolism can be conveyed. The process of symbolic transformation between ＂form＂ and ＂meaning＂ is explored to seek not only the consensus and interpretation of visual image symbolic cognition but also the conformity of method and structure of semiotic theory visualization with the aim of awakening the public's experience and feelings of riding a train. After such emotions are connected to the creation concept, it is possible to understand and reinterpret the works of creative research.