- 會議論文
法國「器樂劇場」作品《決鬥》之喜劇性初探
On the Comedies of Duel the French "Instrumental Theater"
摘要
隨著社會精神文明的不斷進步，人們對於表演形式的發展概念與範疇的認知越發廣泛。以器樂演奏為主的表演形式隨著時間的更迭一直產生著形式上的變化，戲劇成分大量的融入到器樂演奏表演中，觀眾以耳朵聽音樂到現今融合聽與看的觀賞方式的轉變，戲劇成分在純器樂演奏中逐漸受到了的重視。作品《決鬥》（Duel）是2001年由洛朗．西拉德（Laurent Cirade）與保羅．斯泰庫（Paul Staïcu）連袂創作的第一部器樂劇場作品，作品中兩位演奏者成為劇場中的主角，在演奏的同時加入肢體動作，結合劇場文本，燈光、道具等元素，以詼諧幽默的喜劇方式呈現於舞臺之上。此種表演形式對於演奏者的身份而言已然由樂器演奏者到舞臺表演者之間的轉變，是全新的挑戰。由於此種表演方式的發展，器樂劇場喜劇化風格已成為現今許多演奏團體跨領域創作的成功範例。本研究將以喜劇性理論為基礎，結合音樂分析法與雷蒙德．威廉斯（Raymond Williams，1921－1988）的戲劇理論，探究作品《決鬥》中器樂演奏者如何通過音樂與身體的多元結合實現當代器樂劇場的喜劇性表演，顛覆了音樂會的傳統既定印象，達到純音樂形式與劇場空間的融合以及音樂表達聽覺與視覺的喜劇性展衍，豐富當代器樂劇場的喜劇性理論基礎。
並列摘要
With the continuous progress of social spiritual civilization, people's understanding of the development concepts and categories of performance forms has become more and more extensive. The form of performance based on instrumental music has been undergoing formal changes over time. Dramatic elements have been incorporated into instrumental performances. The audience listens to music with their ears to the current way of merging listening and seeing. Composition has gradually received attention in pure instrumental music performance. The work "Duel" is the first instrumental theater work created by Laurent Cirade and Paul Staïcu in 2001. In the work, two performers become the theater The protagonist of, adding body movements while performing, combined with theater text, lighting, props and other elements, is presented on the stage in a humorous comedy manner. This form of performance is a new challenge for the player's identity. The transition from instrument player to stage performer is already a new challenge. Due to the development of this type of performance, the comedic style of instrumental theater has become a successful example of cross-field creation by many performing groups today. This research will be based on the comedy theory, combined with the music analysis method and the drama theory of Raymond Williams (1921-1988), this study will explore how the instrumental players in the duel realize the comedy performance of the contemporary instrumental theater through the multiple combination of music and body, which subverts the traditional impression of the concert, Achieve the integration of pure music form and theater space, and the comic development of music expression, hearing and vision, so as to enrich the theoretical basis of comedy in contemporary instrumental music theater.