- 會議論文
唐代大曲《霓裳羽衣曲》之跨領域融通
On the cross-domain fusion of the Tang-dynasty Daqu "Melody of White-Feather Garments"
摘要
唐代是我國歷史上最為開放的一個歷史時期，是最繁榮也最兼容並包的一個時代，中外文化交流非常頻繁，不論是在文化、政治、經濟上都達到了中國古代的巔峰時期。在藝術文化中詩、樂、舞都進入了黃金時代，充分體現出這個時代開放的藝術觀，其中《霓裳羽衣曲》是唐代歌舞的集大成之作。由於此曲積澱了豐厚的歷史文化內涵，需不斷進行探索和挖掘，本研究力圖用新的視角、新的研究方法對唐代大曲《霓裳羽衣曲》的再探找尋突破點之可行性。本文針對唐代大曲《霓裳羽衣曲》在融通中的跨領域性為主要研究內容。從「跨領域」角度看《霓裳羽衣曲》在「表演藝術中的融合」，并研究其唐代樂舞史上的地位，再進一步依據對象進行微觀及宏觀分析。本文將從「跨藝術」、「跨媒介」、「跨文化」三個不同面向切入從新看待《霓裳羽衣曲》。首先，從音樂、舞蹈、詩歌不同記錄出發，做更詳細的文獻分類研究，力圖從本體去認識其歷史樣態；其次，從歷史學出發對《霓裳羽衣曲》做深入剖析，并從現今觀點做出合理推論；最後，從唐代中外文化交流、社會風俗中看《霓裳羽衣曲》器、樂、舞三位一體的融通之路。
並列摘要
The Tang Dynasty was the most open period in Chinese history, the most prosperous and inclusive one. The cultural exchanges between China and foreign countries were very frequent, reaching the peak of ancient China in terms of culture, politics and economy. Poetry, music and dance had entered a golden age in art and culture, which fully reflected the open artistic concept of this era. Among them, "Melody of White-Feather Garments" was a masterpiece of songs and dances in the Tang Dynasty. Because of its rich historical and cultural connotations, it needs to be explored and excavated continuously. This study tried to find a breakthrough point in the new perspective of "Melody of White-Feather Garments". In this paper, the interdisciplinary nature of the Tang-dynasty Daqu "Melody of White-Feather Garments" is the main aspect of the study. From the perspective of "interdisciplinary", this paper studied the integration of "Melody of White-Feather Garments" in the performing arts, as well as its status in the history of music and dance in the Tang Dynasty, further, made micro- and macro-analysis based on it. This article analysed "Melody of White-Feather Garments" Music from three different aspects: interartistic, intermedial, intercultural. Firstly, starting from the different records of music, dance and poetry, this paper made a more detailed document classification study, trying to understand its historical pattern from the ontology. Secondly, from the aspect of history, it made a thorough analysis of "Melody of White-Feather Garments" and reasonable inferences from the current point of view. Finally, it looked into the fusion of instrument, music and dance from the side of the cultural exchange between China and foreign countries as well as the social customs.