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《詩經.魏風》語言音韻風格探析

The Study on the Phonological Style of Wei Feng in the Book of Poetry

摘要


《詩經.魏風》在十五國風中是比較特別的,其七篇皆為對現實政治腐敗、民生疾苦表達強烈之抗議。對於詩意的內涵前人多已論及,今試從分析各篇詩的用字語音上考察其語言風格特性,並綜合整理此七篇所展現的共同點,以明《詩經.魏風》在語言的音韻上所呈現的風格。研究結果得出如下結論:(1)押韻使用韻部而言,七篇中有半數以上詩篇使用了入聲韻職部;(2)韻腳皆非一韻到底,半數以上以陽聲鼻音搭配入聲塞音;(3)詩的用字以陰聲韻尾字為主;(4)詩的用字以聲母發音部位為舌尖者為主;(5)詩的用字以帶細音者為主;(6)詩的用字大部分考慮了聲調平仄的均衡。

關鍵字

詩經 魏風 語言風格 韻腳 陰聲韻尾

並列摘要


Wei Feng is a special collected poems of 15 States Songs in the Book of Poetry. There's 7 poems in Wei Feng which reflect the political corruption and hardship life. Many scholars have been discussed the connotation of Wei Feng's poems. The research will analyze the phonological style of them, and get six conclusions: (1) more than half of poems' rhyme with stop ending are central vowels and plosive velars which belong to zhi(職) rhyme groups in old Chinese; (2) there aren't the same rhymes, most of mixing nasal consonants and plosive checked tones; (3) the main rhymes of the poems are open syllables; (4) the words of the poems are the apical consonants mainly; (5) the words of the poems are almost front-open vowels; (6) the words of the poems considered the balance on level and oblique tones.

參考文獻


(2013).十三經注疏.臺北市:藝文印書館.
王力(1989).王力文集.濟南市:山東教育出版社.
申小龍(1999).中小龍自選集.桂林市:廣西師範大學出版社.
林慶彰(編)(1983).詩經研究論集.臺北市:臺灣學生書局.
李白(2009).《詩經.魏風.十畝之間.學術論壇.7

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