相思、悟世與閒適－論關漢卿散曲之春意象

Lovesickness, Worldly Comprehension and Leisure: the "Spring" Image of Guan Han-Ching's Songs

顏智英(Yan, Jy-Ing)

《北市大語文學報》 7期 (2011/12) Pp. 61-82

摘要

目前學界關於春意象的研究多以傳統詩詞為主，本文則繼承此一研究譜系，由元代前期散曲大家關漢卿入手，以其57首小令與13套套曲為觀察文本，檢選出與春相關之作約12首小令與3套套曲加以析論，從歷史的縱剖面分析其相思、悟世、閒適等意象內涵與表現對傳統的繼承與新變所在；從時代的橫剖面結合其個人的性格與遭遇，深掘其春意象所透顯出作者內在從多情浪漫、反抗現實而至超然物外的深層心理，由此見出其春意象深刻而豐富的內涵。

關鍵字

關漢卿 ； 元代散曲 ； 春意象

並列摘要

Current researchers mainly focused on the traditional poems and Tzu's for " spring image". This article is interested in the songs of Yuan Dynasty written by Guan Han-Ching for the purpose of continuing the research in "spring image". We choose Guan's 57 Xiaoling and 13 Tauqu as the source, and then select 12 Xiaoling and 3 Tauqu relating to "spring image" to be the main target of this article. We analyze the inheritance and transformation of the tradition owing to the themes such as lovesickness, worldly comprehension and leisure in the selected songs through the longitude section of history. Besides, we also discovered the author's romance, reality opposition, and being free from the world in his spirit through the cross section of the era and his personality and misfortune. Then, we can find out the profound and plentiful content of the "spring image".

並列關鍵字

Guan Han-Ching ； songs of Yuan Dynasty ； spring image