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非純情懷舊──論〈紅玫瑰與白玫瑰〉中的符號隱喻
Non-pure nostalgia - Symbolic metaphor in Red Rose and White Rose
摘要
當代知名作家張愛玲（1920－1995），她的作品以描述都市男女的非典型愛情著稱，而其中〈紅玫瑰與白玫瑰〉更是利用了「玫瑰」作隱喻符號，巧妙地隱喻了男主角振保的愛情觀與社會價值，同時也呈現了同一符號的多元性，依此，符號的多重隱喻便成本論文的第一重探討視野。此外更值得注意的是，張愛玲在描述振保的愛情故事時，超越了既定的時間框架，透過重複的符號，搭建了一條記憶迴返的「懷舊」道路，呼應了美籍學者斯維特蘭娜．博伊姆（Svetlana Boym）在《懷舊的未來》（The Future of Nostalgia）（2001）所擴大的懷舊情緒，將其跳脫懷鄉之情，產生反思後新生的可能。故本論文受博伊姆論述的啟發，以〈紅玫瑰與白玫瑰〉中的懷舊符號為核心，分作四個部分闡述：第一部分，梳理張愛玲作品中的懷舊性，分類為古典追憶與憧憬再現；第二部分，討論「玫瑰」符號的多重意義，以及振保特殊性癖與初戀未竟的鏈結；第三部分，則討論重複曝光的：英國／上海、窗、車三者作為懷舊空間的穿越性；最後則由迴返的懷舊之旅，歸納出一條反思的途徑作為結語。
並列摘要
EiLeen Chang (1920-1995), a well-known contemporary writer, is famous for her works of describing the atypical love of urban men and women. In "Red Rose and White Rose", the using of "Rose" as a metaphor symbol skillfully metaphorizes the love view and social value of the nale charactor Zhenbao, meanwhile, it also presents the diversity of the same symbol. Therefore, the multiple metaphors of the symbol becomes the first exploration of the paper. In addition, it is worth noting that when describing the love story of Zhenbao, EiLeen Chang transcended the established time frame and built a "nostalgic" road of memory through back, through repeated symbols, echoing the American scholar Svetlana Boym's expanded nostalgia in "The Future of Nostalgia" (2001), and jumped out of nostalgia, resulting in the possibility of rebirth after reflection. Therefore, inspired by Boym's discussion, this paper takes the nostalgia symbol in "Red Rose and White Rose" as the core, and is divided into four parts : The first part organizes the nostalgia in Chang's works, which is classified as classical memory and vision reproduction. The second part discusses the multiple meanings of the "rose" symbol, and the link between Zhenbao's particular sexual addiction and his unfinished first love. The third part discusses the repeated exposure: Britain / Shanghai, windows, and cars as nostalgia space traversing. Finally, from the nostalgic journey back, a way of reflection is summarized as the conclusion.