致敬徐四金的長鏡頭與秒針－以袁哲生〈雪茄盒子〉為例

Paying tribute to Patrick Süskind's long take and second hand - Taking Yuan Zhesheng's "Humidor" as an example

黃敦揚(Huang,Dun-Yang)

《雲漢學刊》 38期 (2019/10) Pp. 139-166

摘要

本文將以袁哲生對於徐四金的《夏先生的故事》的寫作分析，以〈徐四金的長鏡頭〉、〈徐四金的秒針〉兩篇為主，分別連結至其短篇小說〈雪茄盒子〉討論兩者之間是否存在相同創作技巧。將從長鏡頭式寫作與敘事時間兩個概念，探討之間的異同，藉以了解袁哲生在創作上是否受徐四金的影響。期盼此文能增添袁哲生小說研究的材料。

關鍵字

袁哲生 ； 雪茄盒子 ； 夏先生的故事 ； 長鏡頭式寫作 ； 敘事時間

並列摘要

This article will use Yuan Zhesheng's writing analysis of Patrick Süskind's "Die Geschichte von Herrn Sommer", focusing on "The Long Take of Patrick Süskind" and "Second Hand of Patrick Süskind", respectively linking them to Yuan's short story "Humidor" to discuss the two. Whether there is the same creative skill. From the two concepts of long-take's writing and narrative time, we explore the similarities and differences between them to understand whether Yuan Zhesheng was influenced by Patrick Süskind in his creation. I hope that this article will add materials for Yuan Zhesheng's novel research.

並列關鍵字

Yuan Zhesheng ； Humidor ； Die Geschichte von Herrn Sommer ； long-take's writing ； narrative time