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從《長恨歌》到《月色撩人》──談王安憶上海書寫的轉變
From "Chang Hen Ge" to "Yue Se Liao Ren" - The changing of Wang An-yi's writing of Shanghai
摘要
王安憶在1995年書寫上海的長篇小說《長恨歌》成為其代表作品，之後仍創作不輟。當人們都以為《長恨歌》中主角王琦瑤的死象徵王安憶對上海主題的告別與出走，但其實不然，上海主題在王安憶的小說中仍然存在，仍如鬼魅般影影綽綽籠罩著小說文本設定。到了2008年寫《月色撩人》時再以現代化的上海作為其書寫主體，已經和《長恨歌》中的懷舊老上海有非常不同的味道。無論在人物塑造、敘事手法上，與對於上海這個城市的刻畫，都逐漸從感性、細膩、如身歷其境、貼著肌膚之親的筆觸，逐漸走向一個高遠而較冷漠的角度，更為理性而具有象徵意義。二書在書寫策略上的改變，傳達了作者對高速現代化上海的警惕與感嘆。
並列摘要
Wang An-yi wrote the long novel "Chang Hen Ge" in 1995, and it was her important representative work. She still writing novels till now. When people thinks that the leading role Wang Qi-yao's death in "Chang Hen Ge" is the symbol of Wang An-yi's quitting of Shanghai's writing. But in fact, She has remained prolific of the topic of Shanghai throughout the years until now. Till 2008, Wang An-yi wrote the novel named "Yue Se Liao Ren". This novel's topic is about modern Shanghai."Yue Se Liao Ren" is different from "Chang Hen Ge"."Chang Hen Ge" is talk about the old Shanghai, and "Yue Se Liao Ren" is not. They are different in the characters, writing style, even to the description of Shanghai. Her writing changed from sensitive to rational and conveys the writer's alert and pitty.