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《文心雕龍．詮賦》：劉勰論賦新探
"Elucidation of the Rhapsody" in Literary Mind and the Carving of Dragons: A New Discussion on Liu Xie's Theory of the Fu
摘要
劉勰在《文心雕龍．詮賦》中討論賦的定義、論述賦體的源流以及先秦兩漢至魏晉時期的傑出賦家和辭賦。其中揭示的漢賦論，取材於史傳的記錄，如班固之《漢書．藝文志》、〈兩都賦序〉等，並且論述賦之類別、評價辭賦獨有的特徵，以及強調辭賦「麗詞雅義」的準則，因此歷來〈詮賦〉篇遂受學者的關注。從目前搜集到的相關論文中所見，學者往往致力於分析劉勰的賦體論，也深入地探討〈詮賦〉篇在劉勰整體上的文學理論有何意義。至於劉勰的宗經思想與〈詮賦〉篇的關係、劉勰評騭辭賦家的作品之考察，卻未再給予留心關注，為此，本文決定朝這個解讀的空隙作深一層的探討，並藉助龍學研究、歷來賦論家的論述、文學史等研究探討之成果，期望能有更多新的斬獲。
並列摘要
In Wenxin Diaolong's "Elucidation of the Rhapsody" (Quan Fu) chapter, Liu Xie explores the meaning of fu and discusses its transformation from a type of expressive technique to an actual literary genie. He elaborates on canonical fu writers of the Chinese past, reveals his theory of the Han fu and also examines this literary genre from a historical perspective, referencing Ban Gu's Han Shu (History of the Later Han) and his preface to the Liang Du Fu (Rhapsody on Dual Capitals). Furthermore, Liu Xie discusses the different types of fu and evaluates its unique characteristics, emphasizing that the fu must possess "exquisite words and elegant meaning" (li ci ya yi). Recent scholars have analyzed Liu Xie's concept of the fu, focusing on the Quan Fu chapter in relation to the literary theory of Liu Xie's text; however, scholars have not thoroughly explored the strong relationship between Liu Xie's Confucian thinking and his evaluation of fu writers within the Quan Fu chapter. Therefore, this article aims to reevaluate Liu Xie's exegesis of the fu, and through Wenxin Diaolong research, scholarly criticism of the fu literary genre, Chinese literary history and other fields, the author hopes to provide a greater understanding of this topic.