- 期刊
俄国形式主义陌生化视域下的《葡萄牙人十四行诗》之第四十三首
An Analysis of Sonnets from 'The Portuguese (No.43)' from the Perspective of Defamiliarization of Russian Formalism
摘要
什克洛夫斯基的“陌生化”理论是俄国形式主义的重要理论之一。陌生化便是要打破自动化和机械性，使得读者进入文学文本的非日常化意象中，暂时遗忘与文本所述之物相对应的现实世界，从而到达艺术审美阶段。诗歌即艺术，如苏珊朗格所说，诗人笔下的每个词语，都要创造诗歌基本的幻象，勃朗宁的《葡萄牙人十四行诗（第四十三首）》如是。该诗中关于爱情的陌生化意象和主题将诗人炙热的情感诠释得淋漓，且诗中关于爱情的意象层层递进，带领读者领悟超出意象所暗示情感的更深层次的情感。
並列摘要
Shklovsky's "Defamiliarization Theory" is one of the important theories of Russian formalism. Defamiliarization aims at breaking the automation and mechanization, leading readers enter the non-daily image world that the author creates by the literary text, so that readers can temporarily forget the real world corresponding to the things described in the text, and reach the stage of artistic aesthetic. Poetry is art. As Susan Langer mentioned, every word written by a poet must create the basic illusion of poetry, as is the case in Elizabeth Browning's Sonnets From The Portuguese (No.43). The defamiliarized images and theme of love in the poem vividly interpret the poet's extremely sincere emotion, and the meaning of love images in the poem is increased layer by layer, leading the readers to understand the deeper emotion beyond the emotion implied by the images.