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元宇宙数位策展——1960年代台湾歌仔戏赴新马商演的历史印记
Metaverse Digital Curation: Historical Imprints of Taiwanese Gezaixi Troupes' Commercial Performances in Singapore and Malaysia During the 1960s
Abstracts
由虚拟和实境融合后创造虚实整合空间的“元宇宙”（Metaverse），开展辐射范围宽广、传播速度迅速、影响力度加强与交流互动密集等优势通路，被广泛应用在人类生活领域中，具有改变在线交流、协作、学习及工作的潜力，因此也成为“传统文化”与“戏曲艺术”极佳的传播载体或教育平台。本文结合“元宇宙”的科技传媒，统合报刊广告、文献史料、公家档案、戏单唱片、口述访谈等演剧史料，全面建构1960年代五个台湾歌仔戏团受邀至新马商演，并在当地录制唱片及电台播送的历史印记作为数位策展内容，发想“1960年代台湾歌仔戏新马之旅”的时空穿越游戏，建置具象化的二维场景，结合情境化的虚实浸润，游戏化的互动趣味等设计，链结展示数位化的各类演剧史料，虚拟再现留存在历史光影中的集体记忆与族群文化，以引领年轻世代与普罗大众重回1960年代台湾歌仔戏新马展演的历史现场。
Parallel abstracts
The Metaverse, a virtual-real integrated space created via the fusion of virtual and physical realities, has emerged as a transformative platform with extensive reach, rapid dissemination, enhanced impact, and intensive interaction. Its application across various human domains holds the potential to revolutionize online communication, collaboration, education, and work. It serves as an excellent medium and educational platform for the promotion and preservation of traditional culture and Xiqu arts. This study leverages the technological communication capacities of the Metaverse to integrate a diverse range of performance-related historical materials, including newspaper advertisements, historical documents, official archives, playbills, records, and oral interviews. By constructing a comprehensive digital curation centered on the historical imprint of five Taiwanese Gezaixi troupes invited to perform commercially in Singapore and Malaysia during the 1960s-where they also recorded albums and broadcasted via local radio stations-the project conceptualizes the "1960s Taiwanese Gezaixi Journey to Singapore and Malaysia" as an immersive time-travel game. The game design features tangible 2D scenes, immersive virtual-real environments, and gamified interactive elements that connect digitized historical performance materials. It aims to virtually recreate collective memories and ethnic cultural imprints preserved in the historical light and shadow. This initiative guides younger generations and the general public to revisit the historical stage of Taiwanese Gezaixi's performances in Singapore and Malaysia during the 1960s.