In the story of Ted Chiang’s “Story of Your Life” and its filmic adaptation Arrival, Louise Banks encounters the heptapods and learns Heptapod B, causing a rewiring of her perception of the world, specifically her concept of time. In this thesis, this phenomenon is explained from Deleuze’s philosophical viewpoints instead of the Sapir-Whorf Hypothesis, which is much-quoted in the discussion of the movie. Deleuze’s interpretations of Bergson’s duration suggest a nonlinear conception of time that resembles the time concept of the heptapods, which basically states a situation where the present, the past and the future are all intertwined and entangled in a virtual realm called the past in general. Generally speaking, this thesis provides a comprehensive textual analysis of the two texts and probes into the problem of language and time concept from a Deleuzian perspective. Deleuze’s philosophical thoughts used in this thesis are not limited to the discussion of duration but will also encompass the discussion of language and some filmic techniques.