坪林聲景的多元詮釋與社會空間建構

本文以坪林的聲景為例，透過訪談、參與式觀察與實地踏勘，考察坪林自1970年代起至今的聲景演變史。同時，從不同尺度的空間與社會特質與演變過程，對應探究坪林各類聲景的生產機制。此外，透過梳理坪林聲景多元詮釋，凸顯與外界之間及內部彼此的差異和張力。綜合以上三者，本文整理出聲景建構的動態系統，為各層次、各步驟的聲景研究提供整體框架參考，並且結合社區參與的精神提出「聲/命共同體」概念，期待為聲景保存和聲景規劃設計提供新的認識論和方法論。

Keywords

聲景；詮釋；社會空間建構；聲/命共同體；社區營造；社區參與

Parallel abstracts

The current study examined the evolution of soundscapes in Pinglin since 1970 through personal interviewing, participle observation, and field research. I explored the creative process of soundscape composition, with a focus on the underlying spatial and social dynamics. By documenting the diverse interpretations of soundscapes in Pinglin, I demonstrated the differences and tension between internal and external forces. Together, the study sheds light on the dynamic system underlying soundscape production, providing examples and implications for soundscape research at multiple levels. In conjunction with the spirit of community participation, we proposed the concept of Sound-Life Unity, which hopefully will contribute to the development of new epistemologies and methodologies for preserving and designing soundscapes.

Parallel keywords

soundscape ； interpretation ； social-spatial construction ； Sound-Life Unity ； community building ； community participation

References

王俊秀（2001）〈音景的都市表情：雙城記的環境社會學想像〉。《建築與城鄉研究學報》，10，89-98。

呂心純（2011）〈音樂作為一種離散社會空間：臺灣中和地區緬甸華僑的音景與族裔空間建構〉。《民俗曲藝》，171，11-64。

楊建章、呂心純（2010）〈音聲空間研究的全球趨勢與本土回應初探〉。《關渡音樂學刊》，13，77-96。

Bouzid, O. M., Tian, G. Y., Neasham, J., & Sharif, B. (2013). Investigation of sampling frequency requirements for acoustic source localisation using wireless sensor networks. Applied Acoustics, 74(2), 269-274.

Brown, A. L. (2012). A review of progress in soundscapes and an approach to soundscape planning. International Journal of Acoustics and Vibration, 17(2), 73-81.

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坪林聲景的多元詮釋與社會空間建構

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