- 學位論文
「阿部定」的表象―以《感官世界》和《SADA》為中心―
The Representation of“Sada Abe” : A Research of Japanese Films "In the Realm of the Senses" and "SADA".
摘要
本研究是藉由兩部日本電影，一部為1976年由大島渚在法國拍攝的《感官世界》及1997年由大林宣彥導演拍攝的《SADA》,其中情節改編自發生在1936年5月18日的殺人案件「阿部定事件」轟動一時的社會案件。 其中主角人物阿部定在整個案件的過程和動機，備受當時社會的輿論批評，認為阿部定是毒婦、變態性慾者，也經常做為精神醫學上研究探討的對象。因時代的變遷，依舊時常成為探討的社會議題，並翻拍成多部電影。縱然距離事發已經過80多年的現在，還是能夠在媒體上看到有關「阿部定事件」的相關報導和電影。本研究中透過歷史資料的蒐集及電影情節的演示中發現，在每個時代的電影作品和媒體報導，對「阿部定事件」所評論的觀點都有不同程度的差異。透過70年代的《感官世界》以及90年代的《SADA》兩部不同年代電影的演示，兩位導演所詮釋的＂阿部定＂的表象中比較，兩位導演雖處在不同時代下，劇中所呈現的”阿部定”雖有所差異，但兩者劇情中並沒有特意凸顯犯罪者女性的惡行。本研究所提出的結論中發現，近年來媒體再次引起討論的阿部定的社會話題，在不同世代中回顧，透過電影《感官世界》和《SADA》提出女性間的對立和三味線兩點論點在不同時代背景，女性所呈現對抵制父權的象徵。 戰後，「阿部定事件」經由媒體的再次炒作，當時阿部定本人留下一封書信後，從此遠離人群後音訊全無。就當時社會的輿論中,如果世人能明瞭一個女性的犯罪背後的辛酸,其中的犯意有可能是為了抵制父權。服刑後回歸正常家庭及社會關係,或許阿部定就不會選擇失蹤這條路了。今後，以阿部定為例，探討父權主義為研究課題。
並列摘要
This research is based on the two Japanese films "In the Realm of the Senses” and "SADA", adapted from the real events which “Sada Abe incident”, occurred on the May 18, 1936. The protagonist of the film is “Sada Abe”, in the whole case of the process and motivation, was criticized by public opinion at that time, that Sada Abe is a poison woman, is a libido, but also often as a subject for psychiatric research. The change of the times, as a social issue to discuss, and remake into a lot of films. Even though it has been more than 80 years since the incident, it has been possible to see news and films about the "Sada Abe incident" in the media. This research was found through the collection of historical data and the presentation of film plots. The views commented on the "Sada Abe incident" were different. Through the 70 's " In the Realm of the Senses " and the 90 's " SADA " two different films, the drama presented in the "Sada Abe", although different, but did not highlight the evils of the perpetrators of women. Finally, the conclusion of this research points out that in recent years, the media has again aroused the discussion of SADA Abe's social topic, in different times to review, through the film " In the Realm of the Senses " and "SADA" to raise the antagonism between women, women's resistance to paternal authority.