摘要
本研究以熱門RPG遊戲「原神」為研究對象，探討遊戲中所融合的東方文化元素及其影響。本研究主要聚焦於遊戲中以中國為原型的「璃月」和以日本為原型的「稲妻」兩個國家，透過分析兩國的遊戲設定、角色設計和限時活動，深入探討該遊戲如何呈現和詮釋東方文化。 在第一章中，研究重點在於「璃月」的世界設定，特別是以遊戲角色「鍾離」為例，分析了其外觀和性格中蘊含的中國文化元素。同時，透過考察「璃月」舉辦的多項活動，如「流水蘊詩籍」和「海燈節」等，探討了該遊戲如何將中國傳統節日和文化習俗融入其中。 第二章則聚焦於「稲妻」，以遊戲角色「雷電將軍」為切入點，分析了其服裝、神名和配音等方面所呈現的日本文化特徵。此外，還透過考察「稲妻」的限時活動，如「光華容彩祭」和「秋津森夜試膽會」，研究該遊戲如何詮釋日本的傳統文化和宗教思想。 第三章從宏觀的角度，探討了「原神」在流行文化與傳統文化融合方面的嘗試及其社會影響。透過分析社會對遊戲的評價、遊戲與文化機構的合作，以及遊戲在傳統與流行之間尋求平衡的努力，研究了遊戲如何在全球化背景下傳播和重塑東方文化。 本研究透過對「原神」的深入分析，揭示了電子遊戲在文化傳播和跨文化交流中的重要作用。研究發現，「原神」透過巧妙地融合東方文化元素，不僅增強了遊戲的文化深度和吸引力，也為傳統文化的創新提供了新的可能性。同時，研究也指出了在遊戲中呈現傳統文化時所可能面臨的挑戰和局限性。 透過本研究，我們可以進一步理解電子遊戲在文化傳播中的潛力和與社會責任，為未來遊戲設計和文化產業的發展提供了具有一定程度之參考意義的具體例證。
並列摘要
This study examines the popular RPG "Genshin Impact," focusing on its incorporation of East Asian cultural elements. The research analyzes two in-game nations: “Liyue” (China-inspired) and “Inazuma” (Japan-inspired), exploring how the game presents East Asian cultures through world-building, character designs, and events. The first chapter examines “Liyue,” analyzing Chinese cultural elements in the character “Zhongli” and events like the “Lantern Rite Festival.” The second chapter focuses on “Inazuma,” exploring Japanese cultural representations through the “Raiden Shogun” character and events such as the “Irodori Festival.” The third chapter takes a broader perspective, exploring "Genshin Impact's" merger of popular and traditional cultures and its societal impact. It analyzes public reception, cultural collaborations, and the game's balance of tradition and modernity in a global context. The research reveals video games' significant role in cultural dissemination and cross-cultural exchange. It finds that "Genshin Impact" enhances its appeal by integrating East Asian cultural elements while offering new possibilities for innovating traditional culture. The study also highlights challenges in representing traditional culture in games. This research provides insights into video games' potential and responsibility in cultural dissemination, demonstrating how digital media can reinterpret and spread traditional culture. To enhance the study, consider expanding on player feedback, assessing cultural representation accuracy, and exploring commercial aspects. Incorporating relevant theories and discussing future research directions would strengthen the conclusion. This research contributes to game studies, cultural studies, and cross-cultural communication fields, illuminating how popular culture reinterprets traditional culture through digital media.