殖民地日本語文學中的「內台共婚」與「內鮮結婚」

第二次世界大戰時，台灣和朝鮮都曾為大日本帝國的殖民地。雖然兩地作為殖民地的時間長短不同，但受到同化政策的影響，日本政府在台灣和朝鮮相繼提出了「內台融合」和「內鮮ㄧ體」的口號，關於「內台共婚」和「內鮮結婚」的法案也相繼成立。然而，在台灣與朝鮮，與此政策相呼應、以「戀愛結婚」為主題的文學作品也逐漸增加。本論文旨在探討以殖民地台灣及殖民地朝鮮為舞台的日本語文學作品，作者如何將「內台共婚」和「內鮮結婚」的要素表現在作品人物的家庭關係中，並深入分析該作家欲藉此闡釋的創作意圖。研究對象為本文中實際描寫家庭關係相處的作品，共有六篇。分別為庄司總一《陳夫人》、湯淺克衛〈棗〉、黃寶桃〈感情〉、崔貞熙〈野菊抄〉、王昶雄〈奔流〉以及鄭人澤〈殼〉。研究手法為，選擇兩位日本人男性作家作品、兩位殖民地女性作家作品、以及兩位殖民地男性作家作品各一篇，並依照主題分為三章，每章探討台灣及朝鮮作品各一篇，並藉由文本分析法詳細考察。第一章以同樣具有殖民地居住經驗的內地人作家的作品：庄司總一《陳夫人》和湯淺克衛〈棗〉為主題，藉由分析作品中母親角色的內在特質及外在與人的互動，完整探討了作品中移居至殖民地的內地人女性之母親形象。第二章以殖民地女性作家的作品：黃寶桃〈感情〉和崔貞熙〈野菊抄〉為主題，指出兩作品中「回到內地的男性」這一共同設定之重要性，以及該設定如何影響作品中母親的行為和孩子的歸屬意識、還有其連帶呈現之母子關係，並揭示作者欲藉此表現之創作意圖。第三章以殖民地男性作家作品：王昶雄〈奔流〉和鄭人澤〈殼〉為主題，指出兩作品中所呈現之內地人妻的人物形象，以及考察她們的殖民地丈夫與自己原生家庭產生之衝突，探討作品中所呈現親子衝突的寓意。近年的學術研究中，將具有相同歷史經驗的地區的文化、文學放在一起探討是一種研究的趨勢。本論文將有助於更加理解殖民地台灣、殖民地朝鮮兩地區於該時代日本語文學中所呈現之「結婚」主題文學的樣貌。

關鍵字

殖民地文學；日本語文學；殖民地台灣；殖民地朝鮮；內台共婚；內鮮結婚

並列摘要

During the Second World War, Taiwan and Korea ( Joseon, 朝鮮) were both under Japanese rule. Although the duration of their colonization differed, the Japanese government pursued an assimilation policy in both regions. This policy was reflected in slogans such as "Integration of Japan and Taiwan "(内台融合)and " Japan and Korea as one"(内鮮一体).Additionally, legislation such as "Nai-Tai marriage" (内台共婚) — referring to interracial marriages between Japanese and Taiwanese — and "Nai-Seon marriage" (内鮮結婚) — referring to interracial marriages between Japanese and Korean — was introduced in Taiwan and Korea, respectively. In both Taiwan and Korea, literary works addressing themes of love and marriage gradually increased in response to this policy. The purpose of this paper is to examine how the author depicts the elements of "Nai-Tai marriage" and "Nai-Seon marriage" in the family relationships of characters in Japanese literary works set in colonial Taiwan and Korea, and to analyze the author’s creative intentions in depth. The research will be limited to six works that depict family relationships: "Madame Chen"（陳夫人）by Shoji Soichi, "Red Dates"（棗）by Yuasa Katsue, "Emotions"（感情） by Huang Bao-tou, " Yagukcho " （野菊抄）by Choe Jeong-hui, " A Raging Torrent "（奔流）by Wang Chang-xiong, and "Shell "（殻）by Jeong In-taek. As a research method, the study will select one work each by two Japanese male writers, two colonial female writers, and two colonial male writers. These works will be organized into three chapters by theme, with each chapter focusing on one Taiwanese work and one Korean work. Each work will be examined in detail through textual analysis. Chapter 1 focuses on the works of Japanese writers who had personal experience living in the colonies: " Madame Chen "（陳夫人）by Shoji Soichi, and " Red Dates "（棗）by Yuasa Katsue. By analyzing both the internal characteristics of the mothers' roles in these works and their external interactions with others, the chapter clarifies how the images of Japanese women who emigrated to the colonies are portrayed by these two authors. Chapter 2 focuses on the works of colonial female writers, "Emotions" (感情) by Huang Bao-tou and "Yagukcho" (野菊抄) by Choe Jeong-hui. It examines the significance of the common setting of " Men returning to the interior from the colonies " in both works, and how this setting affects the behavior of the mothers and the children’s sense of belonging, as well as the mother-child relationship. The chapter also reveals the authors' creative intentions in their works. Chapter 3 focuses on the works of colonial male writers: " A Raging Torrent "（奔流） by Wang Chang-xiong and "Shell "（殻）by Jeong In-taek. It examines the portrayal of Japanese wives of colonial men in these works, explores the conflicts between their colonial husbands and their own families of origin, and analyzes the symbolism of parent-child conflicts depicted in the texts. In recent years, academic research has increasingly focused on exploring the cultures and literatures of regions with shared historical experiences. This paper aims to enhance our understanding of how the theme of "marriage" was depicted in Japanese literature set in colonial Taiwan and colonial Korea during that period.