摘要
在中國文學二千多年漫長的歷史上大多數的創作者或有名的創作者皆為男性，只有少數的女性能夠在中國文學史上留名，中國文學史上要在五四運動後，女作家才逐漸崛起，因此女性作家群也在此出現，如：陳衡哲、白薇、袁昌英、盧隱、蘇雪林、冰心、凌叔華、馮沅君、石評梅、丁玲、林徽音、陳雪昭、謝冰瑩、濮舜卿、沉櫻等十五位都曾被納入「五四女作家」的名單，但這些五四女作家僅僅是因為在同時代、同性別、同為作家的職業而被歸類在一起。但臺灣在短短四百多年歷史的影響下，卻有了不同的發展，《臺灣文學史綱》：「五○年代是女作家輩出的時代。由於時代空氣險惡，動不動就會捲入政治風暴裡去，所以社會性觀點稀少，以家庭、男女關係、倫理關係為主題的女作家的作品大行其道。」，臺灣在政治操控文藝的情況底下，原本從大陸跟隨國民黨來臺的作家們也無法隨心所欲的創作，國民黨以「文藝到軍中去」鼓吹反共文學、戰鬥文學，許多女作家在此背景之下創作，也開創出了一片新天地，艾雯便是其中之一。 艾雯在臺灣早期是一名著名的散文家，但其實她寫作的小說數量不下散文，在她早期創作時就有特別提到，她愛寫散文，但小說更能貼近人心，所以艾雯早期創作時以小說為主，甚至認為小說可以影響許多人心，進而達到人民更團結的力量。不過也因為時代演變，文學創作越來越以散文為主，她的散文創作數量也越來越多，漸漸地就不被提起，所以筆者想透過研究艾雯的小說，讓她的小說能夠被更多人所注目。 第一章緒論，說明艾雯所在的時代背景，出版的書籍，前人研究等，還有說明研究方法，本文以文本分析法進行艾雯的文章解析與說明。 第二章說明艾雯的個人生平，大多數人對於艾雯的了解甚少，所以特別把她的生平事蹟、寫作契機，遷台後的心境與出版歷程做說明。 第三章以艾雯的小說創作的理想與寫作方式作為開頭，再以小說中的女性形象作為分類與解析，說明為何在艾雯的小說中的女性形象屢屢出現相同的狀況，是想向讀者表達哪一些思想。 第四章以艾雯小說中的男性形象提出來與前一章的女性形象作為對比，以此提出男性與女性之間的不同或幾乎相反的原因為何。 第五章為結論，總結前述四章的論述建立艾雯寫作時的個人特色與作品價值，讓更多人能夠在閱讀她的小說時能夠更深層的去探究她文字間的意念。
並列摘要
In the long history of more than 2,000 years of Chinese literature, most of the creators or famous creators are male. Only a few women can be named in the history of Chinese literature. In the history of Chinese literature, after the May Fourth Movement, female writers Gradually rise, so the female writers group also appeared here, such as: Chen Hengzhe, Bai Wei, Yuan Changying, Lu Yin, Su Xuelin, Bing Xin, Ling Shuhua, Feng Yijun, Shi Jianmei, Ding Ling, Lin Huiyin, Chen Xuezhao, Xie Bingying, Yan Qing, Shen Ying, etc. All five have been included in the list of "May 4 Women Writers", but these May Fourth women writers are only classified because they are contemporary, gender, and writers. However, under the influence of just over 400 years of history, Taiwan has had different developments. The Outline of the History of Taiwanese Literature: "The 50s is a time when women writers are born. Because the times are sinister, they will be involved in politics." In the storm, so social views are scarce, and the works of women writers with the theme of family, men and women, and ethical relations are popular.” Under the circumstances of Taiwan’s political manipulation of literature and art, writers who originally followed the Kuomintang from Taiwan on the mainland could not With the creation of the freewheels, the Kuomintang advocated anti-communist literature and fighting literature with "literature and art to the military." Many female writers created in this context and created a new world. Ai Wen is one of them. Ai Wen was a famous essayist in the early days of Taiwan. However, she wrote a lot of novels. She had a special mention in her early writing. She loves to write prose, but the novel is more close to the human heart, so Ai Wen early At the time of creation, she mainly focuses on novels, and even believes that novels can affect many people's hearts and thus achieve the unity of the people. However, because of the evolution of the times, literary creation is more and more based on prose. Her essays are more and more created, and gradually she is not mentioned. Therefore, the author wants to make her novels be studied by studying Ai Wen’s novels. More people are paying attention. The first chapter introduces the background of Ai Wen's time, published books, predecessors' research, etc. It also explains the research methods. This article uses text analysis to analyze and explain the articles of Ai Wen. The second chapter explains the personal life of Ai Wen. Most people know little about Ai Wen, so she especially explains her life story, writing opportunity, the mood after the move to Taiwan and the publishing process. The third chapter begins with the ideal and writing style of Ai Wen's novels, and then uses the female image in the novel as a classification and analysis to explain why the female images in Ai Wen's novels often appear the same situation. What kind of thoughts are expressed. The fourth chapter compares the male image in Ai Wen's novel with the female image in the previous chapter to propose the different or almost opposite reasons between male and female. The fifth chapter is the conclusion. It summarizes the above four chapters to establish the personal characteristics and works value of Ai Wen's writing, so that more people can explore the meaning of her words deeper when reading her novels.