動畫影像與故事結構之考察
－以新房昭之導演的作品為中心－

在本論文裡，由動畫中以Shaft角度演出中的一邊傾斜，一邊回頭看著人的模樣為聞名做為開端，再加上有時在動畫會看到將人物臉部之一的眼睛和嘴巴加以特寫，有時是慢動作的演出，有時也會看到急速加快的演出，日本動畫導演－新房昭之曾說過這樣的演出是一種安全策略。尤其是原作是小說的化物語(2009)，居然在動畫化後，有人能如此評論著動畫更加提升了原作的魅力。那它究竟在呈現什麼呢？是靈活運用了原作的自身的魅力，還是超越了原作呢？在此我要選新房導演拍過的兩部作品，一個原來是漫畫的『再見絕望老師(2007)』，一個原來是小說的『化物語(2009)』做考察。本論的結構是先將動畫的分析焦點加以定義為開端，第二章會說明導演新房昭之、他監督過的代表作以及演出類型。第三章開始，會挑以學園做為故事舞台的『再見絕望老師』和『化物語』動畫的一、二話進行分析。在此會藉由顏色、故事、聲音來得知兩部的黑色幽默的要素是如何呈現的。第四章會以角色特性為軸心。最後從第二章和第四章的總整理中得出結論。這次的研究在看了動畫一、二話後，可以說新房昭之拍的作品正是以角色為軸心，藉由各式各樣的演出，原作沒提及、沒畫到的部分，多虧這些演出在動畫拍攝出來，讓角色變得更加有個性，由此可得知，不只是主角和女主角，其實配角也是可以擔任主要角色的。

關鍵字

新房昭之； Shaft角度；色彩；聲音；故事結構；黑色幽默；角色特性

並列摘要

In this thesis, more attention should be focused on the characters' high angle and looking back angle which called Shaft Head Tilt in the story; sometimes the characters' close-up of their eyes, mouths and faces; and the characters' slow motion and fast motion. Japanese animation director Mr. Shinbo refers this type of expression as a safe strategy. Some comments are that especially the Bakemonogatari, after being animated, more charisma is attached to the original novel. I am wondering to what extent this expression revitalizes its charisma of original novel or even surpasses it? Therefore, I choose two works by Director Shinbo, 'Sayonara, Zetsubou-Sensei'(2007, comic) and 'Bakemonogatari'(2009, novel) to be my study topics. The thesis starts by defining the analysis focus of animation. The second chapter describes Director Shinbo, his masterpiece and directing styles. In the third chapter the episode one and two about the campus life of the two works will be analyzed. The aim is to get to realize how elements of black humor is delivered by color, story ,voice and sound. The fourth chapter is focusing on the character's personality. And finally a conclusion is made by preconclusions of chapter two and four. By studying and watching these two animations, my opinion is that all characters are main themes in Director Shinbo's works, and all roles in the stories are more characteristic by various storylines. Moreover, not only leading actors and actresses, the supporting actors and actresses are also important.