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  • 學位論文

日本小說家東野圭吾所描繪的偵探形象──以《伽利略系列》為例

The Image of Detectives in Japanese Novelist Higashino Keigo’s “ Detective Galileo ” Series

指導教授 : 曾秋桂

摘要


近年來東野圭吾突然爆紅,許多作品紛紛被搬上螢幕,其中,《伽利略系列》更是全被改編為電視劇或電影,並且都有相當不錯的收視率與票房。能獲得這麼大的成功,除了故事情節引人入勝之外,主角想必也是相當重要的因素之一,因此,本論文將以《伽利略系列》為研究對象,試圖釐清東野圭吾筆下所描繪的偵探,究竟是何種樣貌。 論文分成四部份,首先整理推理小說在日本的發展歷史,之後就偵探的外表進行分析,粗略的描繪出他的形象;接著針對在小說中反覆出現、具有特殊象徵意義的小道具加以探討,最後則是剖析偵探的性格及推理能力。藉由以上的步驟,相信可以對東野圭吾所描寫的偵探形象,有更進一步的認識。

並列摘要


In recent years, Higasino Keigo has become one of the most popular writers in Japan. Many of his works have been adapted to the screen and TV dramas, among which the Detective Galileo series were box office hits and enjoyed pretty good ratings. In addition to fascinating stories, the protagonist is the key to the success of Detective Galileo. Focusing on the Detective Galileo series, this study tries to explore the image of detectives depicted by Higasino Keigo. This study was divided into four parts. The first chapter researched the history of detective novels in Japan. Next, the image of Detective Galileo was analyzed. Chapter three examined the props that were recurring throughout the novel with symbolic meaning. The last chapter explored the characteristics of Detective Galileo and his reasoning. By carrying out the above-mentioned analysis, the image of detectives depicted by Higasino Keigo will be clearer.

參考文獻


10. 東野圭吾 (2007) 『たぶん最後のご挨拶』 文藝春秋
参考文献(年代順)
Ⅰ日本語
1.中島河太郎 (1978) 「推理小説における清張以前と以後」『国文学 解釈と鑑賞』 至文堂
2.野口武彦 (1984) 「江戸川乱歩への覗き窓─探偵小説のホリツォント─」『国文学 解釈と鑑賞』 至文堂

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