摘要
「表層（surface）、（appearance）」，存在於物質的最外層，是實體世界中最直接的接觸面。 人類感官知覺能擷取的資訊與能量，絕大多數來自於表層，它給予迎面而來的訊息與衝擊。當代社會不斷表皮化，那層薄膜成為第一個腐朽的犧牲者，在迅雷不及掩耳地代謝之中，幻化成另一種截然不同的表皮結構。 當代藝術凌駕於現實之上，卻又保留了與現實相似之表象；透過版畫之「版表層」與載體之「面表層」的親密接觸，經歷強制性的接合與對應，產生物理性的現象觀感。這些現象觀感有些是直觀可陳的常態，有些則是和母體（版）反向操作、掩蓋真實的假面。 銀色介質是本論述中近期作品的主要共性，它遊走在黑白之間的過度，有時被朦上無彩的灰紗，以低調的方式呈現自己；有時當光線投射其上，銀色獨特的外顯光澤又會大放異彩。內在情感亦如銀色－理性與感性的交疊、曖昧又疏遠的模糊，對立的感受在接近的色調中拉扯，看似親暱卻又冷漠、交融卻又背道而馳；渾沌不明的特性，體現出個人創作中的主體－表層實踐了它當下的目的，卻也殘留了它消逝的軌跡。 本論述以時序為軸心，歸納個人對當下社會表層狀態的創作，以生長背景與求學經歷帶入獨立創作的種種過程，探討如何發掘成長的變化，形塑視覺創作的真切體會。 本論文共分五個章節。第一章概括性論述個人的研究動機與目的。第二章闡述求學過程中，影響個人創作的出發點。第三章深究近期作品的主要觀點，詳細說明表層概念。第四章分析當下社會環境與個人作品的連結。第五章總結上述概念並提出整體性的藝術觀點。
並列摘要
Surface or appearance is the outermost layer that exists in any substance, and is the most easily encountered element we can sense from the real world. Humans normally receive information and energy from the outer layers of our senses that can respond to instantaneous messages and impacts. As society gradually becomes superficial, layer will become the first decadent victim in such an unprecedented fast movement and metamorphosed into an entirely different skin structure. When contemporary art exceeds reality, it also retains similar appearance with reality; expressing intimately through the plate of printmaking and the media layer of printmaking, matching up compulsorily via printing and oppositing, and generating physical phenomena. Some of these phenomena clarify described normal states, while others operate inversely to the matrix itself, with artificial images that cover reality. In the thesis, the main feature (theme) is silver , and the basic media described in recent projects. It is the transition between black and white, sometimes covered by grey yarn, which presents itself with low key; occasionally when the light reflects on it, the unique gloss will shine extraordinarily. Inner emotion is just like silver, where the color overlap between rational and emotional, and expression of ambiguous and distant are pulling back and forth. It seems to be intimate but cold, mixed well nevertheless and proceeded in the contradictory direction, with confounding characteristics. Not only has surface achieved objectivity from individual creation, but it has also remained through dissipating path. The thesis will use time as an axis, while gathering point of views that observe the society that has gradually become superficial. Studying procedure and experiences from my background to carry out the individual progress of creation, and discussing how to explore changes during growth are used as numerous visual impacts to establish real thoughts towards my art works. This study is divided into five chapters. Chapter one makes a comprehensive research motivations and goals. Chapter two elaborates the study process of art, and the start point of my creations. Chapter three discusses the main point of view connect to the recently work, and declares particularly conceptions of surface. Chapter four analyzes the social surroundings and environment related to my personal works. Chapter five summarizes the general viewpoint and propose integral the observations of the art.