摘要
本論文主要探討筆者從二零零四年至二零一零年期間的創作過程。筆者以分析數位影像對自身創作產生的影響做為開端，並且以身體為主要題材，探討身體感知的過程。透過油畫寫實再現的方式，將身體分為局部構圖呈現於畫面之上，訴說著細微的身體觸覺。以身體的形象做為跟觀者之間溝通的橋樑，再從中透露出筆者對於身體與外在現實之間互動所產生的時間感和對身體觸覺的看法。本文撰寫內容架構主要包括： 第一章：緒論，闡述研究動機與研究方法。 第二章：分析筆者所運用的數位影像做為觀察方式與繪圖的輔助而產生的想法，進而影響到創作方向的過程。 第三章：分析觸覺的特質並討論視覺與觸覺之間的相互關係，藉此建構身體感官的認知。 第四章：說明對觸覺的感受轉化到平面視覺的過程，包括作品視覺效果的分析，並以相關藝術家做為對照。 第五章：結論，說明繪畫與自身創作的關係作為此階段作品的總結。
並列摘要
This thesis mainly investigated the painter’s creating process between year 2004 and 2010. Inspired by the influence of analytic digital images on myself, I investigated the process that my body experienced; therefore the body is the main subject and the parts of the body were painted to reveal the delicate body perception in a realistic way with oil paintings. The images of the body served to communicate between the audience and me; and meanwhile I displayed my thoughts on the sense of time sparked by the interaction between the body and outer world. The content includes: (a) introduction, motivation, and research method; (b) analyzing influences of digital images on my creating and my thoughts provoked by using digital images as a means of observation and assistance of digital images to painting; (c) analyzing the special characteristic of touch and the correlation between vision and touch to build the sensual recognition; (d) explaining the transformation process from the senses of feeling to flat vision, including the analysis of visual effects of the works and comparisons between my works to other artists’ works; (e) explaining the relation between painting and my creating as a summation of my current creation.