摘要
摘要 本論文主要探討我個人創作與精神狀態的關係，分為由外而內的三個部分作探討，目的是成為我內在黑洞的導覽手冊。 第一部分為「花花世界」，敘述我外顯部分的創作同時，也試圖提出我對所處時代的觀察，從文本意義的演變、觀看速度的提升以及當代作品中的幽默這幾個角度切入。接著探究我是如何面對鑑賞品味轉變、對真實定義不同、且迷信科技的這個時代。 第二部份我用古典天文物理學中說明黑洞邊界的名詞「事件視界」作為命名，這部分談到的作品是我外顯與內隱部分交會的產物，陳述真實自我的表殼如何、為何形成。 最後一部分進入壓抑的我，將陳述我笑容背後「黑洞中心」裡過往不曾被外界看見的景象，最終期待能讓人察覺隱匿而幽微的黑暗之光。
並列摘要
Abstract This paper focuses on the relationship of my personal mental state and my creation. I use three part to investigate that from the outside to my inside, and becoming a navigation manual of the black hole within me. The first part is the "fast-paced world," describes the explicit part of my creative, but also to try to make my observation of the times, the evolution of meaning from the text, watch the speed increase as well as contemporary works of humor that cut angles. Then I explore the taste and how to deal with changes, different definitions of real and superstitious era of technology. I use the second part of the classical description of black hole astrophysics in the boundary term "event horizon" as the name, this part of my work is about the explicit and implicit part of the intersection product of the true self of the case statement how, why formation. Repressed into the last part I will present my smile behind the "black hole center" in the past had not been seen outside the scene, looking forward to finally make people aware of the Light of Dark hidden and faint.