摘要
島嶼，承載著個人的視覺經驗以及過往回憶。它象徵著出生在四面環海的島嶼－臺灣；它也見證了在日本交換留學的一年間，在狹長型海島國家的各島嶼之間遊移的旅行經歷；它表達了在日本生活時所感受到的，因語言文化差異與導致人與人交流間的斷裂，從而產生的孤寂的心理狀態。它也代表著自己，四處漂泊尋求可靠岸的遠方。在旅行過程中，由於目的地之間廣大的距離，大量的時間被投注在乘坐交通工具上。旅途的大部分時間處在封閉空間的靜止狀態下，唯一變化的是窗外流動的風景。透過凝視窗外單一流動的風景，自我陷入一種恍惚地走馬燈的狀態，日常欠片就是這個狀態下的產物。 「欠片」（kakera），在日本語中為碎片、殘片之意。日常欠片代表著日常生活中所經歷的事情片段，它可以是某段回憶或是某個夢境。藉著銅版畫繁複的操作程序，通過反覆描繪、刻畫、腐蝕、再到試印與試色，最終將那些細微瑣碎的日常欠片，透過自己的詮釋，以拼貼的風景樣貌呈現在作品中。
並列摘要
The Island in my works - “ Floating Islands with daily’s splinters” represents my visual experiences and past memories. It has three significant meanings for me. One of them symbolizes the island where I was born and surrounded by the sea - Taiwan. Second, it’s the travel experiences when I had the opportunity of universities exchange program to Japan. Third, it represents the imaginary island of loneliness. During the period I traveled around in Japan, I spent a lot of time on the transportation. The only changing elements on the trains were the landscape outside of the windows. Gazing out of the windows through the flowing scenery, I fell into a absentmindedly state; and, the term of “daily’s splinters”(日常欠片) comes from this state. “Kakera” (欠片) is a Japanese term, which means “splinter fragment”. And, daily splinters(日常欠片) represent my parts of life experiences in imagery transforming. It could be the transformed pieces from my memories or maybe one of my dreams. While I manipulate the printing process, those splinters become the framework of landscape collage in my works.