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  • 學位論文

戰爭即生活:直面戲劇下的燈光衝突與融合—以《第三次世界大戰攻略指南》為例

War Is Life, Conflict and Fusion of Lighting in In-Yer Face Theatre – The Lighting Design of Shoot / Get Treasure / Repeat

指導教授 : 簡立人

摘要


此展演報告為《第三次世界大戰攻略指南》 作例的燈光設計製作過程。這次的製作中,直面戲劇、多個文本集結而成的劇本,與三面式舞台,對我而言都是全新的嘗試。 導演使用劇本中談及的戰爭與生活之衝突,和其衍伸出的群眾社會現象做為基底,以黑色幽默的方式呈現童趣卻殘虐的畫面。燈光設計同樣從劇本出發,以戰爭和生活的關係、場景氛圍、直面戲劇的本質作為設計基本概念,在三面台上呈現顏色、明暗與角度的衝突對比,挑戰觀眾對於非寫實、高彩度的畫面感受。 完成演出後,終有不足之處,將在此報告中嘗試以理想化的條件去思考其可行性。最後比較理想和現實之優缺點,重新自省檢討,如何能以現有的資源去做到最好。

並列摘要


This performance report is about lighting design and production processing, using Shoot / Get Treasure / Repeat as an example. I made some first attempts in this production, such as designing lights for a thrust stage and a script involving lots of texts and In-yer-face theatre. The director used the conflicts between life and war in the script, and explored the social phenomenon from conflicts mentioned above; in doing so, he created a childish yet brutal scene in a black humor way. The concepts of lighting design are the relation of war and life, the atmosphere of scene, and the essence of In-yer-face theatre. I tried to use the contrast of color, chiaroscuro, and angle to challenge audience’s experience of the nonrepresentational and high saturation scene during the performance. Nothing is perfect; it made me thinking about the feasibility under the idealized conditions, and compared the advantages and the disadvantages between the idea and actual situation, then tried to figure out the best way of the production in the report.

參考文獻


1. 施懿芹,2011,〈去你的:莎拉•肯恩《摧毀》中的暴力〉,台北,淡江外語論叢。
1. Mark Ravenhill. 2008. Shoot / Get Treasure / Repeat. London: Methuen Drama.
3. J. Michael Gillette.2003. Designing With Light: An Introduction to Stage Lighting. New York: Mc Graw-Hill.
6. Max Keller. 2010. Light Fantastic: the art and design of stage lighting. New York: Prestel Verlag.
8. J. Michael Gillette. 2013. Designing with Light: An Introduction to Stage Lighting. New York: McGraw-Hill.

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