一個交錯而過的視線與繪畫的生產方式

關於我的創作，都會試著給過往的時間或歷程賦予某些意義，不管這些意義是否具有一定的開放性，但是這些深刻的意義，終究成為告訴自己與他人，我是如何成為現在樣子的種種。同樣的，在我的作品之中，嘗試著將過往的生命經驗，斷裂似的摻雜其中，當然這方式不斷在詮釋我與他人、外在環境是什麼樣的關係…。這樣的關係，也一直是我創作想要去訴求的。一個交錯而過的視線，是主客兩者觀看方向的交疊與錯開，其實正述說著差異的存在，這個差異不單指著主客之間的落差，可反轉為個體與存在感受的建構。因此差異，一直在藝術的脈絡裡為人所追求，差異的存在也等同藝術作品的獨特及其藝術性。然而藝術作品的形成，必須經過製作與觀賞的時續，在這些時間當中，本就構成忽遠忽近的交錯與差異，譬如最基本表現在藝術表象與真實世界之間的差異。因此差異可以產生改變，不斷更換人們對於藝術的定義。而就（交錯）這一個速度感的移動，除了是主客、內外間的從新分配條件，外圍還有不可預期的意外相互比對，組成各自的問題。所以，一個交錯而過的視線，是對於創作者位置的一個追究。其次，則是對創作者本身使用的媒介（繪畫）作詮釋。套入觀看繪畫的經驗，這交錯的移動，似乎代表著作品與觀者之間的關係，好像僅存一瞬間的過程，而這一瞬間的特性，也慢慢取代凝視與默默領會的經驗領域。一瞬間，也與消費商品時的瀏覽經驗些許相同。但是這也是無可避免的，當藝術作品成為任何形式的物件，它幾可成為資本市場裡，買賣、展出、展示的一環。因此藝術作品的商品化，在次成就了交錯而過的瀏覽樣態。但就我個人創作，其實想藉由回溯的方式，去處理一瞬間交錯所產生的差異關係，對於我的創作脈絡有何種狀態的改變，以及瞬間的交錯背後關係的構成。因此在創作過程中，重新設定了一套作品形成的方式，譬如，代工化的創作過程中，因為代工所產生無法避免的差異，去討論代工是否可以創造出獨特性，以及這複製再複製的關係裡頭，它是否可以提出一種挑戰，來自於對於「畫家」這身份的叛逃，以及取消了畫作與畫家的直接關係。因此，我藉由上述生產的過程中，將創作者與所身處的環境關連存在成為一個必要條件，也使得一瞬間不單指有短暫的交錯，而是指向關係背後的擴充。

關鍵字

繪畫；生產；差異；商品化；代工

並列摘要

A glance, which presents the distinctness, is the way from overlapping to separating by subject and object. The distinctness has shown not only the diversity between subject and object, but also between the individual and the experience. As a result, distinctness is what artists pursue and makes Art unique and artistic. However, which makes Art work completed contains the procedure of produce and how it be exhibited. Judging from this process, it makes the distinctness, such as the basic difference between the appearance of Art and the reality, which makes variation of Art definition. Besides, in spite of the internal redistribution between subject and the object, the motion of glance has unpredictably external comparison which composes separate problems. So a glance is an investigation of an artist, but also the annotation of the media (painting) the artist uses. Spectating at painting, the motion of glance seems to stand for the relation between the artwork and the spectators, and the motion of glance is just a moment that takes place the sense of gazing and grasping. It’s similar to the way that we scan purchase on the aisle. However, unavoidably when manufacturing as an object, Art could be commerce in Capitalism. As a result of becoming commerce, artwork is consistent with the conception of glance. In my work, I try to deal with how the instant crossing distinctness makes variations and how it makes up the crossing relation of distinctness. Thus, I set another way to create artwork. For example, I try to investigate if uniqueness could exist in the OEM(Original Equipment Manufacture) process of painting, and how it correlate with the situation of a creator in this copy-and-copy relation. What above makes a glance is not only the instant crossing, but also an extension of the relations.