- 學位論文
影視場景與室內設計操作手法之認知差異
Differences between Film Sets and Interior Design Based on Spatial Cognition
摘要
場景對於一個影片的內涵與藝術感染力相當重要，目前國內影視產業日益發展，卻鮮少對於影視場景設計的教育機制與建立在空間設計手法上探究場景的學術研究。而同在空間設計領域，在國內有成熟發展與教育的室內設計領域中，近年來也在不斷探究新的設計方式，例如以撰寫空間腳本與分鏡表來想像使用者一日生活的情境設計法。本研究分析國內場景設計的操作手法，並且比較場景設計與室內設計背景的人員於設計過程中其操作之手法及目的為何，期望能為兩個領域的專業人員提供新的思考方向和學習方式。 為探究國內場景設計有何操作手法，本研究在第三章運用案例分析法，挑選來自國內影視作品的七個場景，分析後發現場景設計的手法有：運用位置安排顯現人或物的重要性、人與物朝向觀眾、舞台呈現ㄇ字型、使用比例放大或縮小來表達空間感、運用多重因子複合操作以營造錯視覺。在第四章節中，本研究透過放聲思考實驗來比較場景設計與室內設計在設計思考過程中之手法與目的，請場景設計師、室內設計師依照預設的文本設計一居家空間並記錄設計過程，再經由口語分析後發現：在目的上，場景設計師首要考慮文本的設定以及空間能夠配合人員作業，室內設計師則著重於生活上的需求與符合人因尺度；在手法上，兩者皆多以尺度和配置的編排來達成其設計目標。最後，透過兩種研究方法分析後，得出結論：一、兩類設計師皆重視美觀與機能，但服務的對象不同因此在相同的空間因子操作上做出不同決策，二、室內設計師以使用者生活之需求與喜好來做設計決策，以服務為出發點，在空間配置與尺度操作手法較精細且廣，對材質、燈光、家具款式、風水等皆有操作。三、而場景設計師在攝影機、螢幕比例的框架下，以造型呈現或尺度的變化傳達精神意涵與製造觀眾眼中的視錯覺，並且能夠在場景中展現其個人的喜好與意志。
並列摘要
Film sets are crucial to the connotation and artistic appeal of a film. However, there are few academic studies on the educational of film sets design and the exploration of sets based on space design techniques. This study analyzes the film sets design methods in Taiwan and compares them with interior design methods to contribute to related studies and education in the future. Through case studies of seven scenes from domestic film and television works, it is found that scene designers use methods such as position arrangement, facing the audience, ㄇ font stage presentation, dynamic scale and proportion changes, and compound operations to create a false vision. Through Protocol experiments, the study compares the method and purpose of film sets design and interior design. The scene designer and interior designer are invited to design a home space according to a script. It is found that scene designers first consider story spirit presenting and work space for crew members, while interior designers focus on the needs of daily life and ergonomic scales. The study concludes that the two types of designers both pay attention to aesthetics and functions, but serve different purposes. Interior Designers make decisions based on the needs and preferences of users. The spatial configuration and scale operations are more precise and extensive. Under the frame of the camera and screen ratio, the scene designers convey spiritual meaning and create optical illusions through shape presentation or scale changes, and flea sets designers show their own personal preference and will in a Set.