- 學位論文
日治至光復初期建築裝修材料在現代空間設計應用之研究
Research on the application of architectural decoration materials in modern space design from the Japanese occupation period to the early period of the Restoration
摘要
臺灣地處現代文明的邊陲，自清朝於1895年簽訂馬關條約後受日本的殖民，間接受到歐美國家的思想潮流，影響甚鉅。日本自明治維新至歐陸學習的建築發展出獨特的西洋式樣。日本建築構造材料轉變的主要二次轉淚點：1872年一場東京銀座大火，木構造建築在祝融催毀殆盡，學習西方以磚、石等新式材料建造蔚為風潮，翌年東京即開始出現磚造街屋；大正12年（1923）的關東大地震，震垮了許多以磚、石構造的建築後，使得日本建築師積極接受現代建築的觀念，加上各種現代建築運動已在西方熱烈發展，現代建築成為一種進步的象徵。 要了解台灣今日建築樣貌的成形，首當要認識過去發展成形的脈絡：當我們開始認真回顧過去曾發生在這塊土地的事物，才能切確的創造未來。了解舊有建材樣貌，做傳承、轉化、演繹，最終希望以嶄新的設計呈現，可使設計充滿象徵意義，期望增加設計作品的深度及差異。故本研究目的歸類，主要預期達到目的： 一、 日治時期建築裝修材料探討，了解發展歷程由源起、盛行至消散。 二、 解析個案建築之歷史背景及材料構成，支撐其代表意義。 三、 針對各歷史建築裝修材料於現代空間設計應用之論述。 仰賴建材呈現地域特質，多方嘗試在現代空間案例中的表現及應用，即便只是建築最表層的裝飾外衣，這是研究者認為能盡一己之力讓更多人來了解這片土地的方法、為土地發聲。
並列摘要
Taiwan was on the edge of modern civilization. Since the Treaty of Shimonoseki in Qing Dynasty in 1895, it was indirectly under the great influence of the ideology from the Western countries under Japanese colonization. Since Meiji Restoration, Japanese arrived the European continent, acquired the use of new construction materials, and developed its unique Western architectural style. There were two major turning points regarding shift of Japanese architectural materials. In 1872, the wooden construction perished under a fire in Ginza Tokyo. Japanese learned to construct with bricks and marbles such novel materials form the west.Thus, this incident ushered in the trend and brick houses sprang up in Tokyo in the following years. The Great Kanto Earthquake in 1923 ruined brick and marble construction, leading to the fact that the Japanese architects actively absorbed the knowledge of Modern Architecture, which has been widespread in the western world. Modern Architecture has become a symbol of progress. In order to comprehend how the characteristics of the architecture in Taiwan took shape, it is our initial task to know the context of the development from the past. Only when we review what has happened on this land in retrospect, could we precisely build the future. Furthermore, We must understand the features of the construction materials to demonstrate the design of inheritance, transformation, interpretation, and eventually novelty. Design is consequently filled with symbolism, and it is expected to extend its depth and difference. Hence, the objectives of this thesis are categorized and expected to reach the goals as the following. 1, The construction materials during the Japanese colonial period are reached and the development of its origin, rise and decline is acquired. 2, The historical background and the combination of the materials in each case are analyzed, which solidifies its representation. 3, The application of modern interior regarding specific renovating materials on historical buildings is stated. Due to the reliance of the localization of the construction materials, I strived to utilize and perform in the modern interior cases, despite the fact that some materials were merely the outer layer of the building. Through my own effort, I intend to let people appreciate this land and let its voice be heard.