聯結於安迪沃霍爾之群化美學於重複圖像並置表現形式之應用

論文摘要量產意謂商品的複數生產，亦即所謂大量生產。這是西方工業革命以來，發展出的機械製程的結果，也是今日所有生活用品的生產方式。一種在當下存在的複製技術及其所產生的產品和圖像，已含蓋人類社會多數的生活層面。我們所感知的多數事物，都已經複製化並且是巨量的複製。此一現象令我們在生活中，對於複數事物圖像在不知不覺間早以熟悉並且習以為常。同時，巨量群聚物品的存在與重複符號圖像的不斷出現，也成為當下人們無法逃避的強迫視覺感知。事實上它不只是視覺感知，它在有知無知之間已成為時代性的視覺美學…。所謂群化美學指的是物像之巨量群聚透過視覺感知所帶給我們的一種美的感覺，我們耳熟能詳的數大就是美，其所意指的即是此一視覺美感。安迪沃霍爾的作品，以重複並置的圖像展現一種物像複製產生的巨量群化的美感果效，與商品的機械化量產幾乎劃上等號，時代意味也與他的作品產生無法分割的聯結。事實上它的本質就是「時代」，時代即意謂著自產業革命以來的文化發展形式亦即人們所處新的當下的生活形態。安迪沃霍爾由於直接訴諸於符合大眾欲求的創作觀，並且以取材於大眾熟知和當下發生或流行的的既成事務、圖像為其表現元素的表現理念，是如此的和生活契合，傳達著時代脈搏的跳動力道…。由於我的表現理念及審美意識與安迪沃霍爾有其相當近似的本質，並且本文之撰述既為本人當下創作理念之闡述，因此對於安迪沃霍爾之發展背景、創作理念和表現形式作深入的探討和剖析當屬必要。因此本文以安迪沃霍爾之生平發展為起始對安迪沃霍爾的美學意識及表現形式以其作品為圖例作為說明和印證，再述及我的表現理念和我的作品。本文之架構規化分為四章摘要如下第一章緒論含背景動機範圍方法第二章群化美學與重複圖像並置表現形式就群化美學與重複圖像並置表現形式之意含及其時代性美感價值分群化美學與重複圖像拼貼表現形式二節剖析詮釋。第三章關於安迪沃霍爾針對安迪沃霍爾之出生背景探討，進而以安迪沃霍爾的的作品作圖例剖析。第四章關於我的創作分別就表現理念、符號元素攫取、媒材使用形式建構、作品自述詮釋我的創作觀和我的作品。第五章結語就群化美學與重複圖像並置表現的時代意義論及本人創作研究之價值。

關鍵字

群化美學；重複圖像並置；安迪沃霍爾

並列摘要

Abstract Quantity production, in other words, mass production, means multiple productions of merchandises. It is the result of machinery manufacture since the Industrial Revolution, and is also the method of production for all supplies nowadays. The existing reproduction technology and the articles or images produced have covered a number of phases in our lives. Many articles that we are familiar with are products of reproduction, namely mass reproduction. Such phenomenon in our lives has familiarized us to reproduced articles and images. At the same time, the existence of massive groups of articles and the repetitive appearance of signs and images disallow us to escape from forced visual senses. As a matter of fact, it is not only visual sense; it has become visual aesthetics of our time. Grouping aesthetics is a type of aesthetics created by massive groups of articles through visual senses. The old phrase ‘large quantity is beauty’ is illustrating that type of visual aesthetics. Andy Warhol (1928-1987) pieces exhibit massive grouping aesthetics created by reproduction through repetitive images juxtaposition; the pieces are equivalent to the machinery mass production in manufacturing, and are inseparable from the significance of the epoch. As a matter of fact, the nature of the pieces is ‘the epoch’; the epoch means the cultural development since the Industrial Revolution or the lifestyle of the moment. Andy Warhol’s source of creation originates from the public’s desire, and draws materials from the popular or current events and images to express his ideas. His creation is in harmony with the life and delivers the vibe of the epoch. Since the writer’s idea of expression and sense of aesthetics are similar to those of Andy Warhol’s, and this paper illustrates the writer’s idea of creation, thus it is necessary to further discuss and analyze Andy Warhol’s background, idea of creation, and form of express. Therefore, the paper begins with Andy Warhol’s life and achievement, and further probes into Andy Warhol’s sense of aesthetics and forms of expression, and follow by the writer’s idea on expression and works. The structure of this paper contains four chapters of which are summarized below: Chapter 1 Introduction Includes research background and motive, scope, and method Chapter 2 Grouping Aesthetics and Repetitive Images Juxtaposition Two sections of analysis and interpretation on grouping aesthetics and repetitive images juxtaposition, and the aesthetic value which is divided into grouping aesthetics and repetitive image collage expression respectively Chapter 3 About Andy Warhol Discusses Andy Warhol’s growth and background, and further probes into his sense of aesthetics, form of expression, and works in different periods Chapter 4 About My Work Interpret my idea of creation and my works in terms of idea of expression, selection of signs and materials, use of medium, structure of forms, and description of my works. Chapter 5 Conclusion Discussion of the epoch significance and value of the writer’s research expressed through grouping aesthetics and repetitive image juxtaposition