- 學位論文
「臨界．距離」－邊界的繪畫性研究與創作實踐
Criticality．Distance - Pictorial Research and Creation Practice of Boundaries
摘要
本文旨在探討「邊界」的繪畫性研究與其藝術價值和形式技法的發展演變，並藉由繪畫色域銜接的「邊緣現象」產生之「臨界效應」，發散性思考至心理層面與社會思潮的聯動關係，全面性探討「中介質」的存在與「心理距離」的重要性。藉由哲學思想理論掌握研究對象，透過文獻資料的深入探討與圖像的歸納理解之下，梳理自身的思想脈絡及問題意識的邏輯性，確立思想的核心。 本文將研究核心放置於「邊界」的概念作為研究對象，構成第一章節的研究內容，再將視角延伸至「臨界效應」產生命題，彙整而成第二章節的藝術史文獻資料、哲學思想理論及藝術圖像的綜合分析探討，再以「心理距離」的概念作為實踐目標，組織建構第三章節的創作理念與形式，最後統合而成第四章節的具體繪畫創作實踐。 本研究的目的在於釐清「邊界」及其衍生的「臨界．距離」之概念，透過研讀相關文獻、理論與圖像資料的爬梳，充實個人的美學涵養與理論知識。再將「邊界」的繪畫性技法彙整，賦予精神性象徵含義，落實於個人繪畫創作。達成創作理念、哲學理論、精神生活與繪畫性的通盤整合。探索個人繪畫創作上的獨特視覺語彙，建立階段性的符號象徵，最終完成理念與創作實踐的統一。
並列摘要
This paper aims to explore the pictorial study of "boundaries" and the development and evolution of its artistic value and formal techniques, and to use the ‘critical phenomenon’ produced by the marginal effects formed through the connection of pictorial color fields; and use divergent thinking to explore the relationship between the psychological level and the social trend, and comprehensively discuss the existence of the ‘intermediary’ and the importance of ‘psychological distance’. Through philosophical thought and theory, an attempt is made to grasp the research object, use the in-depth discussion of literature materials, sort out their own ideological contexts, and explore personal painting under the inductive understanding of images, so that a unique visual vocabulary is created that establishes phased symbolism. This paper takes the concept of "boundary" as the research object, and discusses this research content in the first chapter. Then, in the second chapter, it extends the perspective to the "critical effect" life problem, and integrates the comprehensive analysis and discussion of art historical documents, philosophical ideas and theories and art images. In the third chapter, it takes the concept of "psychological distance" as the practical goal, and how it organizes and constructs the creative concept and form. Finally, in the fourth chapter, the integration of specific painting creative practices is discussed. The purpose of this research is to clarify the concepts of "boundary" and its derived "criticality" and "distance", and to enrich the author’s aesthetic attainment and theoretical knowledge through the study of relevant literature, theories and image materials. Then the pictorial techniques of the boundary are integrated, given spiritual symbolic meaning, and implemented in personal painting creation. The author aims at achieving a comprehensive integration of creative concepts, philosophical theories, spiritual life and pictorialism. The author also intends to explore the unique visual vocabulary of personal painting creation, establish phased symbolism, and finally complete the unity of concept and creative practice.