「界限」：超現實攝影手法之創作論述

本創作研究旨在透過觀察現實生活中感受與當代議題並連結自然哲學，探索其中模糊的界線，運用超現實技巧，將深刻訊息巧妙地融合並隱藏於影像之中，使影像成為表達真實與內心思索的載體，同時激發觀眾的對話和提問，引導挖掘影像背後隱含的意涵，從而進一步思考自身與自然社會的關係。在這項研究創作中，從超現實主義的內容出發，運用攝影融合插畫作為媒介來傳達創對社會現象的反思，透過這種形式，表達個人視角與思考，企圖喚醒觀眾對於現實世界的重新審視與反省。在創作形式上，大量運用超現實主義的元素與手法，通過對常見場景和物件的重新組合與扭曲，製造出一種既熟悉又陌生的視覺效果。總結而言，本創作研究試圖通過超現實主義的影像創作，揭示現實與本身之間的界限，引導幫助觀眾脫離思想的牢籠，看到更廣闊的世界。這種方法不僅豐富了影像藝術的表達形式，也為我們提供了一種全新的思考方式，鼓勵我們不斷探索自身與社會的關係，在這個過程中，影像不再僅僅是視覺的呈現，而成為了引發更深層次對話的重要工具。

關鍵字

超現實主義；超現實攝影；當代攝影

並列摘要

This creative research aims to explore the blurred boundaries between real-life issues and natural philosophy, employing surrealistic techniques to subtly integrate profound messages within images. These images become a medium for expressing both reality and inner contemplation, while also provoking dialogue and questions from the audience. This leads to a deeper reflection on the relationship between oneself and the natural society. In this research and creation, we start from the content of surrealism, sing photography combined with illustration as a medium to convey reflections on social phenomena. Through this form, personal perspectives and thoughts are expressed, with the intention of awakening the audience's re-examination and reflection on the real world. The creative form heavily utilizes surrealistic elements and techniques, reassembling and distorting common scenes and objects to create a visual effect that is both familiar and strange. In summary, this creative research attempts to reveal the boundaries between reality and oneself through surrealistic image creation, guiding and helping the audience to break free from mental constraints and see a broader world. This method not only enriches the expressive forms of image art but also provides us with a new way of thinking, encouraging continuous exploration of the relationship between oneself and society. In this process, images are no longer merely visual presentations but become important tools for initiating deeper conversations.