尋線・繫憶 — 陳美玉繪畫創作論述

本論文「尋線・繫憶」以懷鄉憶往作為創作研究的主題，筆者透過對故鄉景物以及童年往事的記憶片段，思索成長過程中生活經驗與週遭時地變遷賦予記憶景像的多重意義。追尋記憶猶如描繪若隱若現的線條；藉由線條、線性的的抽象性繪畫形式，筆者嘗試將記憶中思緒、情感的綿延與虛實不定轉化成圖像創作，並試圖與此時此刻以及世界性的思維相連結。全文分成五章論述：第一章緒論，說明家鄉故舊的往事記憶對筆者生命、生活中的意義，並期望將這反思呈現在繪畫創作上。第二章，以兩部分闡述學理脈絡：在創作內容部分，探討有關記憶的學說裡論；在創作形式部分，透過線條的起源、發展和演變，梳理中西方各時代的特殊線條形式，以至於近代線條的跳脫框架、自由蛻變。第三章，藉由案例解析藝術家們如何以圖像表達個人的記憶和思維，聚焦於線條元素的運用，並闡述個人系列作品《鄉的輪廓》、《流光片羽》、《迷路幻境》創作理念。第四章，說明個人創作方式、媒材技法，並依創作理念、技法運用等幾個面向解析個別作品。第五章結論，回顧研究目的與探討的歷程，反思記憶的回溯對筆者當前與未來的意義，以及藉由線條在中西藝術脈絡的探究與領悟，檢視個人作品展現的成效，並思索未來發展的可能性。

關鍵字

線；繫憶；綿延；抽象性；蛻變

並列摘要

This paper explores the theme of nostalgia and reminiscence in the context of creative research. Through fragments of memories related to hometown landscapes and childhood events, the author reflects on how life experiences and the changing times imbue new meaning to the images stored in her memories during the process of growth. The recollect of memories is like tracing and depicting faint and indistinct lines. The author attempts to use lines and the abstraction of linearity in the form of painting to transform the continuity and ambiguity of thoughts and emotions in memories into visual creations, and seeks to connect them with the present moment and a global perspective. The paper is divided into five chapters. The first chapter, the introduction, explains the significance of past memories to the author, and how these reflections are presented in painting creations. The second chapter elaborates on the theoretical context in two parts: the content of the creation explores the theories and discourses related to memory; while the formal part of the creation examines the origins, development, and evolution of lines, looking at the unique forms of line art in both Eastern and Western art, as well as the transformation of lines across eras. The third chapter analyzes artworks of several famous artists and explores how they use line elements to capture personal memories and images. The fourth chapter focuses on examining the author's series of works: “The Outline of My Hometown", "Fragments of flowing Time" and "Lost in the Maze," analyzing aspects such as creative concepts, methods, and techniques used. The fifth chapter concludes by reviewing the research objectives and processes, reflecting on the significance of memory recollection to the author's life, and through the exploration of the line art in Eastern and Western contexts, evaluating the presentation and effectiveness of author’s works and considering potential future developments.