百味人生—以港臺飲食文化為題：周海斐書畫印創作論述

香港在經歷2014及2019的社會運動後，終於在2020年開始出現大型移民潮，臺灣是其中一個主要的移民點，香港人移居臺灣後能否適應當地，還是會出現文化衝突？飲食作為所有人每天都必須要面對的議題，與人類生活息息相關，本研究以飲食為題，探討香港人自2014年起的社會運動後所導致的潮民潮及身分認同問題，以受後現代思潮所影響的新文人畫方式表現。本研究會跨領域探討香港社會運動及身分認同等問題，並探討文人畫自明代董其昌確立以來的演變過程，討論新文人畫出現的原因，探討新文人畫的表現手法，藉由風格分析法分析一眾新文人畫家的作品，進一步指出後現代主義如何影響新文人畫。透過理解香港的社會運動經歷、移民潮及身分認同等問題，並剖析新文人畫的精神和特點，理解兩地飲食文化的意涵，筆者作為離開香港的一員，以百味人生系列作品去實踐，嘗試以通俗化、生活化的食物為題材，創作結合書、畫、印，利用新文人畫風格，記錄離鄉背井的心路歷程，並探討移居臺灣兩年後所出現的差異與融合以及身份認同問題。

關鍵字

後現代主義；新文人畫；身份認同；社會運動；飲食文化

並列摘要

Following the social movements in Hong Kong in 2014 and 2019, a significant wave of emigration emerged in 2020, with Taiwan becoming one of the main destinations. Can Hongkongers adapt to life in Taiwan, or will cultural conflicts arise? As food is an essential part of daily life and closely tied to human existence, this study uses food as its central theme to explore the migration wave and identity issues caused by Hong Kong’s social movements since 2014, expressed through the postmodern-inspired style of New Literati Painting. This research adopts an interdisciplinary approach to investigate issues related to Hong Kong’s social movements and identity. It also examines the evolution of Literati Painting since Dong Qichang’s establishment of the style in the Ming Dynasty, explores the emergence of New Literati Painting, and analyzes its techniques of expression. By employing stylistic analysis, this study evaluates the works of various New Literati painters and highlights how postmodernism has influenced this genre. Through an understanding of Hong Kong’s social movements, migration wave, and identity issues, as well as an analysis of the spirit and characteristics of New Literati Painting, this research aims to delve into the meanings of food culture in both Hong Kong and Taiwan. As someone who has left Hong Kong, the author creates the Food as Heaven series to document the emotional journey of displacement. Using food as a relatable and accessible subject, the series incorporates painting, calligraphy, and seals in the style of New Literati Painting to explore the contrasts, integrations, and identity issues experienced after two years of living in Taiwan.