片刻的再造—張倍誠創作論述

本篇論述所探討的創作名為「片刻的再造」，旨在闡述筆者所發表相關作品的創作思維，以及探討筆者在藝術實踐過程中的理論建構與思維脈絡。研究架構涵蓋創作理念之形成背景、作品核心論述之闡述、創作實踐脈絡之反思探討以及內容之剖析，並延伸至視覺藝術相關問題的探索以及未來藝術創作發展之可能規劃。全文透過理論與實踐相互印證的方式，建構此創作研究的體系。本研究著重闡述「日常生活的觀看」此一核心動機之形成過程。並以「社會生態學」此概念做切入，透過分析與闡述，探討相關概念如何在創作者的藝術實踐中，於不同層面展現其多重意涵與角色功能。同時，建構創作內容的論述框架與相關技法之應用，闡明其如何引導創作者發展出「再造片刻」之創作核心論述主軸。在創作歷程的記錄與分析方面，採用時序性分析方法，觀察並記錄個人作品在時間軸上的演進軌跡，並闡述「觀看」對此過程之影響。通過對創作過程中各個面向的轉變與發展的詳述，呈現創作實踐與相關思維的演進歷程。且著重於比較分析不同時期作品在形式語言、內容表現與技法運用上的差異，藉此探討創作思維的演變，對創作實踐帶來的影響與意義。最後部分，則透過從形式與內容等不同視角，剖析作品的視覺語彙、主題建構等課題，整理引導出筆者看待日常景物的特定視角，為結論的生成建立基礎，統整前述各章節的研究發現，進行陳述、反思與探討。

關鍵字

片刻；日常；再造；觀看

並列摘要

The thesis discussed in this article is titled "The Reconstruction of the Moments", aiming to explore the theoretical construction and thinking processes in the author's artistic practice. The research framework encompasses creative concept formation, core artistic discourse, reflection on the creative practices, and content analysis, extending to visual-art-related issues and future development planning. The thesis is constructed through interplay between theory and practice.The initial section focuses on "the experience of observing in daily life" as a core motivation, utilizing "social ecology theory" as an entry point to analyze how these concepts function in artistic practice. It establishes a framework for creative content and technical applications, demonstrating how these elements guide the development of "The Reconstruction of the Moments" as the core discourse. The research employs chronological analysis to document the evolution of personal works, explicating the role of 'observation' in this process, comparing pieces from different periods in terms of formal language, content expression, and technical application, exploring the evolution and impact of creative thinking.Finally, this research analyzes the works' visual vocabulary and thematic construction, organizing the author's perspective on observing everyday scenes, and concludes by integrating and reflecting on the findings from previous chapters.