中共改革開放戰略文化的演變─以戰爭電影為例─

THE DEVELOPMENT OF PROPAGANDA IN CHINA AFTER ECONOMIC REFORM: A WAR FILM PERSEPCTIVE

簡嘉儀(CHIA-I CHIEN)

指導教授 ： 翁興利

國立臺北大學/公共事務學院/公共行政暨政策學系/碩士(2014年)

摘要

中共電影具有「黨性原則」之特性，它被用來解釋共產主義理論和作為政令宣傳的工具。換言之，電影有改造社會、實踐政策的功能。因此本文利用內容分析途徑已電影為分析單位，試圖推論改革開放後中共戰略文化的演變。

研究結果發現中共從1979年到2011年所拍攝的戰爭電影中，沒有一部電影有對外從事軍事行動或文化侵略的內容、劇情。國共內戰電影是中共所有戰爭電影中，最常拍攝的題材抗日戰爭。 中共在電影中鼓勵武裝革命對抗國民黨的次數也有12次。雖然這兩個指標都有隨著時期而改變比重，但整體而言，中國還是認為台灣問題是領土分裂的問題。研究數據推論中共是否較為重視東亞的區域秩序，雖然沒有任何戰爭電影在討論中共對東亞的看法、意識和策略等，但可就中共所拍攝的電影主題和文獻內容分析出，中共歷史記憶對東亞秩序和有深遠的影響。

關鍵字

中共；戰爭電影；戰略；內容分析

並列摘要

CCP movies with " party principle " of the properties, it is used to explain the theory and tools as communist propaganda decree . In other words , the film has a function of social transformation , practice policies. Therefore, this article analyzes the use of film as a way to have the unit of analysis , trying to infer the evolution of strategic culture of the CCP after the reform and opening up .

The results showed that the CCP from 1979 to 2011 years shooting war movie , no movie has engaged in the content of external cultural aggression or military action , drama . CCP civil war movie of all war films , the most commonly photographed subjects Sino-Japanese War . CCP encourages armed revolution against the Kuomintang in the movie also has 12 times the number . Although these two indicators have changed with the times and proportion , but overall , China still considers Taiwan issue is the territorial division of the problem. Research data can not directly infer whether the CCP is more emphasis on regional order in East Asia , because there is no war film in East Asia to discuss the views of the CCP , awareness and strategy , but may movie themes and literature content analysis of the Chinese Communists captured CPC historical memory East Asian order and have a profound impact.

並列關鍵字

CHINA；WAR FILM； STRATEGY ； PROPAGANDA ANALYSIS

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