蘇琬婷新音樂劇場作品發表會 含原創作品集與覭註釋文件

本論文為新音樂劇場音樂作品《覭》之輔助文件。作品使用筆者姓名作為文字素材，運用古琴減字譜「減筆」的特性，將筆者姓名的字拆解後對照傳統減字譜的內容，使「文字」能延伸或重組賦予音樂演奏法的新意，並將作品佐以詩經、宋詞之情境運用，試圖描繪出古琴音樂優雅超然的文人意境。筆者嘗試將文字的詮釋呈現於音色、節奏、演奏方式、音樂表現及舞台設計中，使古琴、電子音樂之間不斷交流及對話，進而體現出跨領域總體藝術概念之精神。本論文共分為四個章節，第一章為緒論 ; 第二章為作品理念，介紹《覭》的創作背景與動機及相關作品介紹分析 ; 第三章為作品分析，詳述作品之舞台、素材、段落設計 ; 第四章為本論文之結語。

關鍵字

古琴；減字譜；跨領域；總體藝術；新音樂劇場

並列摘要

This thesis is the supplementary document of the new music theatre composition “Ming”. This piece takes both the author’s name and the characteristics of the simplified notation of guqin into consideration, breaking down the chinese characters of the author’s name into parts to fit the traditional Jianzipu－notation, therefore, extending or rebuilding the chinese characters to create new ways of performance. Moreover, the author tries to depict the conception about guqin music from the literatus by the scenario of “The Book of Odes” and “Song Ci”. The chinese characters can be interpreted in timbre, rhythms, performing, musical expressions and stage design. Through the dialog and interflow between guqin and electronic music, the new music theatre composition “Ming” shows the spirit of interdisciplinary artwork and total art. The thesis consist of four chapters. Chapter one is the preface. Chapter two presents the background and ideas of this composition and introduces some related compositions. Chapter three is the compositional analysis of the work “Ming”, detailing the stage design, musical materials and the structures. Chapter four is the conclusion of thesis.