線性細胞中的情緒流動—黃怡茹創作論述

本論以藝術科學的概念切入，體悟當今社會處於情緒快速覆蓋的時代,從自身情緒取材，以獨創細胞風格將細胞元素作為創作之符號，透過觀察、描繪細胞，紀錄微觀且隱藏的情緒軌跡，透過東方水墨線及色彩堆疊出若隱若現的心緒流動，並試圖透過抽象畫面帶領觀者體驗情緒與細胞之關係美學。「情緒與細胞的構成」成為問題意識思考。　　情緒與細胞是息息相關的，情緒就像細胞一樣，在細微的時間與空間之中，微小地相互感應與流動著，筆者將反覆地沉澱、拆解、組合後的線性凝聚物，對應到藝術與醫學影像，進而提出—「線性細胞」的繪畫創作，線性細胞正是筆者對於這個時代的藝術形態呈現，每一種藝術形態，皆是從自身心理需要出發，而創造了該藝術風格表現，這就是其意志的表達，真正的藝術在任何時候都滿足了一種深層的心理需要。撰寫內容以五個章節進行，分別是：第一章—緒論，第二章—相關藝術家與學理基礎，第三章—創作元素分析，第四章—作品系列分析，第五章—結論。透過梳理藝術與科學影像之藝術脈絡，對照自身創作思維，進而分析不同時間點的線性細胞，所產生的細胞形變系列作品以細胞圖像記錄生活的軌跡，進行本研究主題意涵的闡釋。

關鍵字

線性細胞；情緒色彩；形變

並列摘要

The essay aims to examine the concept of art science. Epiphanized that contemporary society is in a rapid feeling-covered era, the author derives materials from her emotions and applies cell elements as symbols of creation in an original Microcellism. By observing and sketching cells, the author records microscopic and implicit emotional trajectories, also through oriental ink lines and colors to stack up the looming flow of sentiments, which attempts to guide the viewers to experience the aesthetics of the relationship between emotions and cells through abstract pictures. "Emotions and the composition of cells" is transferred into problem consciousness. 　　Emotions are intimately linked to the composition of cells. Emotions are like cells, which sense and flow each other minutely in subtle time and space. By precipitating, dismantling, and combining repeatedly, also corresponding to art and medical imaging, the author proposes the creation of --- "Linear Cells". The content is divided into five chapters: Chapter 1—Introduction, Chapter 2—Related artists and theoretical foundations, Chapter 3—Analysis of creative elements, Chapter 4—Analysis of work series, and Chapter 5—Conclusion, respectively. By sorting out the artistic context of art and scientific images, the author compares her creative cogitation and analyzes Linear Cells at different time points. The resulting series of cell deformation works through cell images to record the trajectory of life and elaborate the meaning of the research.