疊斗式大木作應用於家居用品創作-以新惠宮舊廟保存構件為例

台灣的廟宇隨處可見，在歷史背景的影響之下，擁有著許多不同流派的屋架形式種類，除具有在地文化信仰特色外，構件的外觀造型、比例尺寸及彩繪樣式等資訊，更蘊含著代代匠師的風格與智慧，而在製作工法上，則是有各式榫接的組合，如鳩尾榫、直榫、搭接榫等數種形式的交互搭配，在文化資產的保存上是極為重要。本論文探討疊斗式大木作，以新惠宮保存於屏科大的構件為例，經過文獻與相關案例的回顧，將其中榫卯結構的組合邏輯拆解後，簡化其外觀的裝飾性雕塑，整合出建構的規律模式，並選用台灣國產木材，應用於家居用品的創作，重新賦予其活力來達到文化傳承。在本次的創作執行上，將在學期間所見的大木作文化內涵，發揮其中的工藝價值，透過局部擷取與拆解的方式，分別於廟宇棟架最前端位置與中心位置，設計與實際製作出來兩件作品，創作出保有大木構造的基本外觀和榫卯結構的組合式家居用品，希望能在工藝與產品間取得平衡，透過融入於日常生活當中，讓人近距離的觸碰與使用，能夠讓更多的一般民眾從中認識大木作，甚至有興趣了解其中的架構意涵。

關鍵字

新惠宮舊廟；疊斗式大木作；國產材；家居用品

並列摘要

Taiwanese temples are ubiquitous, and under the influence of historical contexts, they exhibit a diverse range of architectural frameworks from various stylistic schools. In addition to embodying local cultural and religious characteristics, the structural components of these temples, including their appearance, proportions, and painted decorations, reflect the craftsmanship and wisdom passed down through generations of artisans. Moreover, the construction techniques feature various types of mortise and tenon joints, such as dovetail joints, straight tenons, and lap joints, which play a crucial role in the preservation of cultural heritage. This study explores the Stacked Bracket Complex, using components preserved from Xinhuei Temple at National Pingtung University of Science and Technology as a case study. Through a review of literature and related examples, the research deconstructs the mortise and tenon joinery system, simplifies the ornamental carvings, and integrates the structural logic into a systematic design model. By selecting domestically sourced Taiwanese wood, this study applies traditional timber construction elements to the creation of household products, revitalizing and transforming these architectural features to achieve cultural continuity. In the execution of this creative project, the cultural essence of timber construction observed during the academic period is further explored and transformed into a practical design concept. By selectively extracting and deconstructing architectural elements from the foremost and central sections of temple frameworks, two household products have been designed and physically crafted. These works retain the essential appearance of traditional timber joinery structures while incorporating mortise and tenon assembly methods. The goal is to strike a balance between craftsmanship and product design, integrating traditional elements into everyday life. By allowing people to experience and interact with these objects in close proximity, the project aims to introduce a broader audience to timber construction and inspire further interest in its structural and cultural significance.