娥蘇拉短篇文學作品圖像之創作

本創作研究以娥蘇拉‧勒瑰恩於西元 1975 年所出版之奇科幻小說《風的十二方位》，從中取三篇短篇《珊麗的項鍊》、《黑暗之盒》、《離開奧美拉城的人》作為本次創作研究文本，旨在分析其中的元素符號並進行創作再現。研究將通過互文性及再現手法，將小說文本中的場景、主題與符號進行圖像化轉換，深化故事內涵，並以視覺作品為讀者提供更多的思考與情感共鳴。創作部分使用平板繪圖作為主要創作媒材，並將圖像數位微噴輸出至合成板，將小說的情節和氛圍具象化。創作過程中深入探索《風的十二方位》中的奇幻與科幻元素，特別是其中所蘊含哲學意義和文化符號，並通過視覺藝術來強化故事的呈現，使觀眾能更深刻地感受小說所傳達的價值觀和哲學觀念。本創作研究期望以研究者本身角度作為出發點，呈現心目中娥蘇拉小說情節，故作為創作研究動機有以下三點：一、接觸娥蘇拉文學作品並且深深著迷於其中，二、有關娥蘇拉《風的十二方位》的相關創作研究作品仍非常稀少，三、想以創作研究的方式呈現心目中的娥蘇拉小說情境。而本創作研究期望達到以下目的：一、國內外對於此書研究相當稀少，本研究期許能豐富有關娥蘇拉《風的十二方位》不同媒材創作研究作品。二、分析《珊麗的項鍊》、《黑暗之盒》、《離開奧美拉城的人》三篇短篇小說中道家思想文化運用，並以此作為元素進行創作，利於日後相關創作研究使用，提供參考價值。三、解析《珊麗的項鍊》、《黑暗之盒》和《離開奧美拉城的人》三篇短篇小說，深化故事主題和場景描寫，使讀者更投入其中，提供觀後的思考及感受，為探究並根據娥蘇拉・勒瑰恩《風的十二方位》中的短篇小說作為文本轉換為圖像之藝術創作，本創作研究論文使用之研究方法有三種：內容分析法、文本分析法以及互文性理論，透過此三種研究方法做為藝術創作研究時的依據，探析道家思想應用於短篇小說之元素。

關鍵字

符號分析；再現；文本圖像化；文本分析法；互文性理論

並列摘要

This creative research focuses on The Wind's Twelve Quarters, a speculative fiction collection published by Ursula K. Le Guin in 1975. Specifically, three short stories— Semley's Necklace, Darkness Box, and The Ones Who Walk Away from Omelas—serve as the texts for this study. The research aims to analyze the symbolic elements within these stories and present them through creative representation. By employing intertextuality and representational techniques, the study transforms the settings, themes, and symbols from the original texts into visual forms, thereby deepening the narratives' meanings and providing readers with additional opportunities for reflection and emotional resonance through visual artworks.The creative process uses digital drawing on tablets as the primary medium, with digital prints mounted on foam boards to concretize the plotlines and atmospheres of the stories. Throughout the creative process, the research explores the fantasy and science fiction elements in The Wind's Twelve Quarters, particularly their philosophical significance and cultural symbols. These are further emphasized through visual art to enhance the stories' presentation, enabling audiences to experience more profoundly the values and philosophical ideas conveyed in the novels.This creative research is motivated by three primary factors:1.A fascination with Ursula K. Le Guin's literary works, inspired by encountering her writing.2.The scarcity of creative research works related to The Wind's Twelve Quarters.3.A desire to represent Le Guin's narrative worlds through the lens of the researcher's perspective, utilizing creative research methodologies.The study aims to achieve the following objectives:1.Address the lack of research on this book both domestically and internationally by enriching creative research related to The Wind's Twelve Quarters in different media forms.2.Analyze the application of Daoist philosophy and cultural elements in Semley's Necklace, Darkness Box, and The Ones Who Walk Away from Omelas, using these as creative elements to provide reference value for future research.3.Delve into the themes and settings of these three short stories to deepen their depiction, enhance audience engagement, and provoke reflection and emotional response.This creative research investigates the artistic transformation of short stories from The Wind's Twelve Quarters into visual artworks, employing three research methods: content analysis, textual analysis, and intertextuality theory. These methods serve as the basis for the artistic creation and are applied to explore the use of Daoist philosophy in the elements of the selected short stories.