日本跨時代下的民間藝術,而歌舞伎更為眾多文化中的瑰寶,從1965年起,這項藝術便被指名為極其重要的無形文化,直至2005年,經由聯合國教科文組織宣佈,日本歌舞伎文化與其他42項藝術並列「人類口傳與無形文化資產」。歌舞伎這門藝術,不僅受到日本人的普遍愛戴,更受到世界的矚目。其不僅融合了音樂、舞蹈、戲劇,更將民族性視覺、聽覺上的藝術中嶄露無遺。 歌舞伎演員的化妝方式,在日本的江戶時代歌舞伎的文献中提到他們的臉部表情的笑容,讓我們了解到歌舞伎演員在舞台上是發熱的,他們熱情地投入每場表演,在戲劇院的場所「中村座」的觀眾席有分樓上和樓下,座位是非常的寬敞,且歌舞伎座劇場內的座位都是滿座的,歌舞伎演員們的用心和努力,讓全場表演達到最高的境界。
Japan diachronous popular art period and kabuki more treasures of many cultures. This art refers to extremely important intangible culture since 1965. Japan kabuki culture and other forty-two arts to stand side by side〝Human oral communication and intangible culture heritage〞by the united national culture and education organization until two thousand five year. Kabuki art is not only popular with foreigners that more attention from the world. Kabuki art is combines music, dance, drama and more national character of visual and auditory。 In the Edo period in Japan kabuki, Kabuki actors make up method mentioned their faces smile and they seriously jump after each performance on the stage for us. The seat of theater is very spacious and full at auditorium of〝Nakamura〞. Kabuki actors attentive and strive that performance of highest level.