莫札特(Wolfgang Amadeus Mozart, 1756-1791)被譽為天才的音樂家,為後代作曲家們崇拜的對象,所創作的作品相當的多,而其音樂的歷程是前所未有、無後世者能相提並論。 在1788年莫札特完成了三大交響曲,莫札特《第四十號交響曲》(Symphony in G minor No.40, kv.550)為其中較多樂團演奏及後世評論的曲目,首演日期為1791年4月16日於維也納。 此篇詮釋報告,首要為文獻資料的整理與樂曲的分析,去了解莫札特音樂的特色與他的生平歷程及創作,其次在樂團的練習當中、考慮技術上的問題,如管樂器的語法、和聲的音色、句法,找出更能夠詮釋莫札特音樂的方式。
Wolfgang Amadeus Mozart, 1756-1791, has been called a musical genius. He has been adored by next generations of composers. Many of his works are acknowledged as pinnacles. As for Mozart’s prodigious ability and the maturity of his musical styles, no future generations can be compared. Mozart's three major symphonies had been finished in 1788.The Symphony in G minor No.40, kv. 550 is one of them. The piece has been the object played and analyzed for ages. The premiere was in Vienna, April 16, 1791. This study aims to comprehend the features of Mozart’s works, biography and innovations through collecting literatures and analyzing the masterpiece. In addition, during symphony orchestra rehearsals, considered technical fields, such as the articulation of wind instruments, harmony and the tones, phrase Later, the researcher discussed a lot with the advisor trying to utilize the techniques of a conductor to better interpret Mozart’s works.